Large 18th Century Portuguese Azulejo Mural Plaque

This large and attractive architectural piece is known as a pulpit canopy. Before the advent of microphones and speakers, orators would often address assemblies from elevated platforms known as “wine glass pulpits”. These podiums featured domed roofs called abat-voix, sometimes known as sounding boards, that would project sound outwards. Our walnut wood pulpit canopy is a fine example of such a device. Hand-carved and hand-painted in Italy in the 1700’s, our abat-voix is roughly octagonal in shape. Each of the sides have edges with luxuriously thick step molding, alternating between stained and gilded wood. Each of the corner cornices are adorned with gilded flower carvings, although some are missing. The interior of the canopy features a gilded open sun with sinuous rays emanating all around. Each of the sides are adorned with foliate margents surrounded by scrolls, again with some losses. All the edges are bordered with a thin layer of gilding. Although our fascinating 18th century Italian walnut pulpit canopy was designed for a church pulpit...

This fabulous hand-carved boiseries or wooden panel was recently purchased from the Chateau St. Maclou in Normandy, France. Rooms of boiseries had design motifs that were kept the same throughout the entire area that was paneled. For instance, on this panel, there are mainly acanthus leaf motifs used in various areas. A medieval lion...

Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...

This beautiful boiserie panel depicting an allegory of Spring and the Arms of France was hand-painted in France, circa 1840. Boiserie is ornate wooden paneling that covered walls and ceilings of luxurious chateaus in France. The use of these panels became more prevalent at the end of the 17th century, before exploding in popularity during the 1700’s, thanks to multiple installations at the Palace of Versailles. Lengthy paintings such as this (ours is over 112 inches long) would often be placed above a doorway, forming a continuous theme with the rest of the room. The arrival of Spring is depicted by four winged cherubs frolicking among pink, white, and yellow flowers. None of the cherubs are clothed, although two of them are draped in colored textiles. The putto on the far left has a billowing peach colored material hanging from the left shoulder as he holds a sheer piece of fabric. The transparent veil stretches across most of the canvas, extending to the right hand of a female cherub wearing a jeweled tiara on the far right. On the same side of the canvas, but more medial, is another putto loosely draped in green fabric. To the left is the fourth cherub, a female with a laurel leaf tiara that is holding onto the edge of the Arms of France. A gold oval medallion, adorned with volute scrolls at the top and bottom, encircles a representation of the coat of arms of France from the Bourbon Restoration (1814/1815-1830). There is a large, curled leaf rising from the top volute with a husked border surrounding the light blue background with three gold fleur de lys. Our magnificent French painting gives off a warm and lively feel. Although it could still be used as part of a boiserie room...