American Brass and Iron Fireplace Screen with Decorative Wire Work, Circa 1800

Of heavy gage wrought iron with central figure of a standing deer, with curved top with carrying handles, enclosed sides and scrolled feet.

iron and brass circa 1920 iron and brass and terminating on decorative scrolled stylized Doors We prefer to sell our items in 'uncleaned' condition so that the new owner still h...

Hard to find size removed from an early American house with walk in fireplace north of Boston. Curved back to cover fireplace .

Pair of iron and brass top andirons, circa 1930 About Pair wrought iron and brass top andirons and terminating on decorative scrolled stylized legs Dimensions: Height* 39 cm 15...

A French 19th-20th century 'Belle Époque' Louis XV style gilt and patinated bronze fireplace screen. The ornately decorated oval screen, supported with a pair a of finial columns, su...

Very originals , diferent A pair of iron andirons, from the 19th or Early 20 th Century These andirons in the shape of ducks are made of a single piece of cast iron. Enigmatic c...

Excellent quality.The back is made of wrought iron and the rest of bronze. Normal patina due to the passage of time and use. They keep their patina so that the buyer can choose whe...

Dr C Dresser made by Benham and Froud. An Aesthetic Movement walnut coal box with stylized floral brass metalwork, retaining its original shovel.  

A pair of Charles II style, enamel brass and cast iron armorial firedogs, in the manner of Anthony Hatch and Stephen Pilcherd. Each firedog is decorated with red, blue and white enamel, the upperpart bearing the arms of Charles II or James II, the middle part formed of two nude male figures supporting the arms with a vase of flowers between them, the lower portions in the form of two convex disks decorated with flowers, with wrought iron supports. They are modelled after an example in the collections of the Victoria & Albert Museum, London, formerly belonging to the Earl of Cowley. For a long time, their method of production -whereby the fields to be enameled were cast in the original moulds and not, as was more common, engraved (champlévé) or enclosed (cloisonné) - was referred to as Surrey Enamels after the author Charles R. Beard ascribed their manufacture to a factory in Esher, Surrey. However, documentary evidence makes a strong case for their reattribution to the London workshops of Anthony Hatch and Stephen Pilcherd, members of the Armourers' and Braziers' Company (see C. Blair and A. Petterson, 'Details for Surrey Enamels Reattributed (Part 1)', Journal of the Antique Metalware...

A magnificent and rare antique French Empire neoclassical fire screen composed of gilt and patinated bronze. The structure follows a rectangular form with a sloping upper section and...