Pair of Hollywood Regency Moorish Majolica Camel Garden Seats

Unidentified European Majolica stick or umbrella stand which features a Pug. Colouration: grey, blue, brown, are predominant.

Pair of Minton Majolica vases which feature daffodils stood on bulb feet. Cobalt blue ground version. Colouration: cobalt blue, green, white, are predominant. The piece bears maker's...

Indian Asian Middle Eastern Moorish-style (19/20th Century) large brass ewer (pitcher) with etched design and cobra snake handle.

A fine pair antique English majolica floral rimmed pottery plates by Wedgwood and dated 1872. The lightly potted plates are of simple rounded form standing on a round foot with a sli...

Two quite rare earthenware sculptural decorative plates in barbotine, dated 1880, handcrafted in Clermont Ferrand, central part of France, by Charles ...

An English majolica Leaf and Dandelion floral bowl by Joseph Holdcroft, Circa 1870. Designed in the Aesthetic taste, four overlapping leaves, glazed in the colors of Autumn, are centered on a deep powder blue ground of raised Dandelion blooms with pink centers. The verso is glazed in a solid turquoise. Joseph Holdcroft held several patents for the production of earthenware. He was employed by Minton where he became proficient in the manufacture of majolica. Holdcroft established the Sunderland...

Longchamp's Wild Majolica Menagerie: French Majolica Palissy Dish Maker: Longchamp Pottery, France Date: Circa 1880 Medium: Earthenware, multi-colored lead glazes (Majolica/Barboti...

Three dimensional Majolica dish centered with a large lobster and surrounded by oysters. Signed Caldas, Portugal on reverse side.

Attributed to Minton pottery in Staffordshire, England, a scarce sized set of majolica glazed pitchers in the Palissy style, circa 1870s. The Aesthetic Period pitchers are molded with a raised nut vine pattern with leaves in light and dark green, and closed buds. The vine handle is ‘held’ in place with green shoots, the tight buds are glazed in cream encased in light spring green leaves. The body is finished in an iridescent brown, the interior in a beautiful turquoise. A turquoise glazed underside. The larger jug is impressed with the number two, possibly referring to size, as this is the middle size of what would have been a set of three graduated pitchers...

Italian Renaissance (Late 19/20th Century) Majolica Sinai.