Antique Decorative Jardiniere Stand, English, Coopered Oak, Planter, Circa 1920

This is an antique Moorish jardiniere stand. A Middle Eastern, teak and inlay planter podium, dating to the Victorian period, circa 1880. Dashingly ornate stand with great colour a...

This is an antique decorative wash stand. An English, mahogany and ceramic jardiniere or planter frame, dating to the Regency period and later, circa 1820. Charismatic and versatile with superb colour for decorative appeal Displays a desirable aged patina and in good order Select stocks to the distinctive frame show fine grain interest Rich russet hues add warmth in contrast to the verdant green ceramic Of generous size, the later wash bowl ideal for decorative planting...

This is an antique jardiniere stand. An English, mahogany and brass tree or bush planter, dating to the Georgian period, circa 1750. A delightfully self-contained piece, showcasing t...

This is a fine antique stick stand. An English, golden oak cane or umbrella rack in Arts & Crafts taste, dating to the late Victorian period, circa 1900. With its striking colour, he...

Hand-carved plant Stand with scrolled legs and feet. Container carved to look like a woven basket.

Beautiful classic style and lines. Walnut frame with cane insert sides. Removable top and fully lined on both layers.

Handcrafted antique jardinière. This early 20th century stand is a fine example of the craftsmanship and the wonderful designs of the Arts and Crafts movement. This rectangular desi...

This fine painted decorated planter in the manner of Angelica Kauffman was created in England circa 1890 to 1900. Hepplewhite in style the planter was made in England during the Edwardian era. This time saw a great rise in revival styles and culminated with the out break of the first world war. Hepplewhite design is most often associated with fine detail contrasting wood veneers and inlay , delicate painted details and a definite reference to historical precedents. Referencing Kauffman herself the piece is reminiscent of works in her historical painterly style. She i known to have painted a number of commissions on furniture while living in England as well a being one of only two female founding members of the Royal Academy. She classified herself as a painter of historical imagery but is also known for her many significant painting and portraits and scenes of late 18th century upper class life. Many engravings used as pattern survive giving her style and work a great reach in paint decorated furniture...