Pompeian Bronze Head by Chiurazzi Naples, circa 1930

A patinated bronze sculpture reproduction of the Laocoon group by the Napolitan world famous Fonderia Chiurazzi, Italy 1880-1900. Rediscovered in 1506 in Rome The Laocoon Group is believed to be created sometime between 42-20 BCE by three sculptors from Rhodos – Hagesander, Athenodoros and Polydorus, after the work of more ancien Hellenistic sculptors. Recreated and issued (with several sizes and creative variations) by Fonderia Chiurrazzi, this piece is more than just an incredibly precise and expressive reproduction of the iconic antic sculpture...

Large bronze from the Chiurazzi foundry in Naples, Exact copy of one of those found in Herculaneum and currently in the Archaeological Museum of Naples Bronze measures: 94 cm. High...

Couple of young deer after ancient times. Patinated bronze. Beginning of the 20th century. This pair of young deer is a reproduction of the same dimensions as the originals preserve...

Pair of Pompeian Deer from Herculaneum by Chiurazzi Pair of young deer after Antiquity. Patinated bronze. Early 20th century. This pair of young deer is a reproduction of the same d...

Elegant bronze bust of a faun, cast by the renowned Fonderia Chiurazzi of Naples in the 20th century. This finely executed sculpture features the mythological figure with expressive ...

France, early 20th century. Pair of two lifesize sculptures, brother and sister, the boy sitting cross-legged and the girl on a stump holding a pla...

Hand-carved from limewood in Germany, circa 1930, this four-and-a-half-foot tall statue depicts St Christopher carrying a young Jesus across a river. The legend states that Christopher (who was considered to have size and strength), was instructed to serve Jesus by assisting travelers with crossing a perilous river. One day a young child asked for help, and after safely reaching the far shore, Christopher complained about the child being heavier than the whole world. It was at this point that the child revealed he was Jesus before...

This superbly worked bronze sculpture with a beautiful patina by the Neapolitan foundry Fonderia Chiurazzi is a full-scale (1:1) replica of the original now preserved in the Museo Archeologico Nazionale di Napoli. The male figure is clad in a short tunic and cap, his head turned slightly to the right, both arms outstretched, his left hand holding a small basket. He is seated on a rocky outcrop adorned with shells, and between his legs runs a small fountain head in the form of a Bacchus mask. Measuring 55 cm in height, the sculpture demonstrates refined workmanship and a rich, natural patina. It is unusual to find the basket with the sculpture. During the late 19th and early 20th centuries, Chiurazzi produced type of bronzes in various sizes and finishes, but this particular casting is of notably high quality for its type and bears the foundry’s impressed mark Fonderia Chiurazzi. The original Roman bronze fountain figure, commonly known as The Neapolitan Fisherman, was uncovered in 1823 during archaeological excavations at Pompeii, within the Casa della Fontana Piccola (House of the Little Fountain). This find formed part of a richly decorated mosaic fountain ensemble surrounded by four statuettes, among them a seated angler wearing an exomis (tunic) and holding a fishing rod and basket, an image that perfectly captures a moment of relaxed domestic life in a Roman household. The original layout of the fountain and its sculptures can be seen in Giuseppe Abbate’s illustration, Mosaic Fountain Sculptures in the House of the Small Fountain, Pompeii, published by the Nicolini brothers in 1854. Abbate’s illustration provides a valuable visual record of how the fountain originally appeared, showing the arrangement of the fisherman, the sister bronze Cupid with Goose, the mosaic basin, and its decorative motifs. Artist Luigi Bazzani also vividly captured Pompeii’s domestic elegance in his watercolor paintings. One shows another similar fountain scene, depicting how such spaces may have looked during Pompeii’s flourishing years, with richly ornamented walls, bright mosaics, and sculptural fountains glimmering in sunlight. Another watercolor by Bazzani, painted in 1919, directly portrays the Neapolitan Fisherman in situ at Pompeii. Scholars trace the fisherman’s prototype back to a Hellenistic original of the late 3rd century BCE. Hellenistic sculptural models continued to influence Roman art well into the first centuries CE. The Fonderia Chiurazzi was established in Naples in 1870 by Gennaro Chiurazzi, a pupil of sculptor Pietro Masulli, who had pioneered the use of the lost-wax casting technique for accurate reproductions of classical bronzes. After Italian unification (1861), the Naples Archaeological Museum, formerly the Royal Bourbon Museum, began issuing permits to selected workshops to reproduce its vast collections from Pompeii, Herculaneum, and Stabiae. Chiurazzi excelled in this field, combining industrial precision with hand-tooled artistry to produce faithful, museum-quality casts. By the turn of the 20th century, Chiurazzi bronzes...

James Patrick Maher (20th Century), bronze Sculpture of a nude woman. James P. Maher, was a renowned artist whose drawings, paintings and sculptures reflected an innate appreciation...

A lovely antique bronze sculpture, depicting a woman and child from classical times. This was likely made in central Europe around the 1930-50...