Late 18th Century Decorative Baskets

Sizeable, sturdy, and quality, copper collecting bucket on feet. A substantial and beautifully handcrafted brass and bronze log bin, featuring elegant detailing and a practical desi...

A fine near pair of Georgian mahogany plate buckets having heavy gauge brass bail handles and bands, the cylindrical bodies with pierced fluting, each with slots for loading and unloading stacks of...

A fine antique German porcelain twin handled fruit basket by prolific makers Meissen and dating from the Marcolini period 1774 to 1814. The fruit basket stands raised on four Greek k...

Sizeable and museum quality, embossed copper with brass handles bucket on feet. This stunning, sturdy and heavy antique and hand-crafted buc...

Hallmarked in London in 1788 by Robert Hennell I, this very handsome, George III period. Antique Sterling Silver Basket, features slat pierced and an engraved decoration to the body,...

A George III sterling silver cake basket made by William Plummer in London, 1786. The basket is of Classic oval form with bead borders and an engraved pierced gallery and foot. Ther...

Hallmarked in London in 1771 by Thomas Wallis I, this attractive, George III period, Antique Sterling Silver Sugar Basket, measures 2.5"(6.5cm) tall (3.75"(9cm) with the handle up), ...

Good collection of English and Scottish horn spoons, 18th and 19th Century, of various shapes, colors and sizes. size listed below is approximate/average

Transport yourself to the opulent splendor of the 18th century with this exquisite find: the lid of a rare baroque hatbox dating back to around 1740. C...

An exceptional, fine and impressive antique George III Irish sterling silver sugar basket; an addition to our Georgian silverware collection. This exceptional antique George III Iri...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A fine and impressive antique George III English sterling silver sweetmeat basket; part of our Georgian silverware collection. This antique Georgian sterling silver sweetmeat basket has an oval navette form onto a collet foot. The body of this sterling silver basket is embellished with a band of pierced decorated vertical pales accented with four foliate motifs. The basket is further ornamented with two bands of pierced evolute scrolling decoration with a scallop and circular motif decorated border. The upper rim and foot of the basket are encircled with applied bead decorated borders. This George III sterling silver basket is fitted with an applied bead decorated swing handle. The well of the basket is embellished with a bright cut engraved crest depicting out of a ducal coronet a wolf's head. The foot of the basket is encompassed with horizontal pierced pale decoration incorporating circular motifs. This antique silver basket with handle...

Rare antique English Yorkshire or Staffordshire creamware pierced basket with intricate reticulated body. Lovely color no damage or repairs.

By Wedgwood, England. This pair of Chestnut Baskets and underplates was one of Wedgwood's most intricate handmade designs, circa 1790s. Redolent of the Georgian period, this color co...

Hallmarked in London in 1782 by William Plummer, this George III period, Antique Sterling Silver Basket, is in the Neoclassical style, with engraved and pierced decoration to the bod...

Hallmarked in London in 1778 by William Plummer, this delightful, George III, Antique sterling silver basket, features engraved and pierced decoration, and bead borders. The basket m...

Fine example of Adam-style, neoclassical design incorporated into a finely made silver basket by premier female silversmith, Hester Bateman. The basket is hand-pierced and engraved a...

Hallmarked in London in 1795 by Solomon Hougham, this attractive, George III period, Antique Sterling Silver Sugar Basket, is in t...

With hexagonal brass bound. Lovely color and patina. With original lead compartments.   

Heading : First period Worcester basket Date : c1770 Period : George III Origin : Worcester, England Colour : Polychrome Pattern : Central bouquet with sprigs throughout. Applied fl...