Lucie Rie Manganeze Rim Bowl 1980

Wonderful early work of the famous German ceramic Artist Beate Kuhn from the 1960s. The bowl is designed in red, white and black glazed ceramic with an abstract forms. Artist signatu...

Beautiful early work by the famous German ceramic artist Beate Kuhn designed in the 1960s. The bowl has an oval organic shape and is made of light blue, yellow, grey and green unglaz...

Colorful huge bowl in blue, dark grey and golden glazed ceramic made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom.

Very nice, rare and original footed bowl from Hayno Focken. German Bauhaus 30th Art Deco hammered brass bowl with model number 2019. Signed on the underside with "HF" and Modell numb...

A studio ceramic bowl made by Dame Lucie Rie (1902-1995) circa 1950s. The bowl, iconic in the repertoires of the celebrated British potter has an organic form, elegantly posed with s...

Absolutely stunning thin walled, flared rim bowl in the style of Lucie Rie. This piece was acquired from a prominent Bay Area collector. We had heard that Lucie did not sign everythi...

A stunning vintage British studio pottery bowl by Lucie Rie and Hans Coper, finely thrown the outer body decorated in oatmeal glaze with a dark ...

This is a great example of a Lucie Rie iconic hand-thrown, footed bowl with manganese glaze. It is thinly potted and slightly pulled into an ovoid shape with an undulating rim. The running glaze is subtle whilst adding an individual element to the decoration of the bowl. The bowl bears the artist's monogram seal mark under. Lucie Rie was an Austrian-born British ceramics artist. Rie’s works, usually consisting of hand-thrown pots, bottles, and bowl forms, are noteworthy for their Modernist forms. Born in 1902 in Vienna, Austria, she studied pottery at the Vienna Kunstgewerbeschule, a school of arts and crafts. In 1937, she won a silver medal at the Paris International Exhibition and by the following year, Rie moved to London to flee Nazi Austria. Once settled in the British capital, she maintained a small studio and continued to produce pottery and small clay objects, including ceramic buttons and jewellery which she sold to support herself. She was later joined by Hans Coper, a young artist who soon became a partner in her studio. She taught at the Camberwell School of Art from 1960...