Roseville Pottery Art Deco Orian Turquoise Bowl, 1935

Along with Stickley furniture and the copper lamps of Dirk van Erp, the works of the Roseville Pottery Company are treasured staples of the American Arts and Crafts movement. The straightforward naturalism of vintage Roseville bowls, vases, dishes and other ceramics represent a frank, American aesthetic distinct from the more stylized European Art Nouveau works of the same period. Roseville Pottery works are the essence of honest artisanry.

Founded in Roseville, Ohio, in 1890, the company originally focused on flowerpots, mixing bowls, and other household items, but branched out into art pottery in 1900. An early manifestation of the Arts and Crafts movement in the United States — which celebrated traditional craftsmanship and would influence designers and architects including Frank Lloyd Wright — was Fulper, Rookwood and Roseville pottery. Hand-painted florals and gourd-like shapes were the pieces’ most obvious characteristics. 

Roseville pottery typically features decorative motifs inspired by nature — the company’s Pinecone and Blackberry patterns are perennial favorites among collectors — and glazes in warm, earthy shades of brown and gold.

Roseville's Pinecone pattern was the brainchild of art director Frank Ferrell, who sculpted the prototype for each piece by hand. His most successful ideas went into mass production, while others were limited to only a few experimental pieces. These “experimentals” are now the most sought-after Roseville wares — look for the official Roseville pottery marks on the bottom or side of a piece, along with a number or (in some cases) even a note.

As you will see from the items on these pages, Roseville Pottery produced ceramics of timeless and enduring warmth and beauty. They merit a place in every collection of American design.

Find vintage Roseville bowls, vessels and other works for sale on 1stDibs.

Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.