Antique Bow Porcelain Plate England Circa 1760

Made in England circa 1810, this Minton porcelain dish is a masterpiece of English Regency chinoiserie. The hand-painted scene exhibits vibrant colors, intricate details, and a playful spirit. The dish shows three young boys playing on a seesaw. The boys display a delightful childish innocence. Jean-Baptiste Pillement's drawings inspired this Minton image ( for more on Pillement, see below). The last image shows an image of Pillement's work. The underside of the plate shows the Minton mark in underglaze blue with pattern number 539. Dimensions: Diameter 8.25 in. x H 1.5 in. Condition: Excellent Price: $480 For more information on the Chinese Sports Series, see Loren Zeller's article "Jean-Baptiste Pillement's Recueil de Plusieurs Jeux d'Enfants Chinois: A Review of the Artist's Work as Source for 18th and 19th Century Ceramic Designs" in the Northern Ceramic Society Journal, Volume 32, June 20 Jean-Baptiste Pillement was a French painter and designer known for his exquisite and delicate drawings and the engravings done after his drawings. The drawings influenced the spread of the Rococo style, particularly the taste for chinoiserie throughout Europe. For an image of an item from this Minton pattern...

This antique Chinese export porcelain dish was hand-painted in the mid-18th century in the Qianlong Era. It features a blossoming plum tree adorned with orange, blue, and gold flower...

Painted at Chamberlain's Worcester around 1810, this dish draws inspiration from 17th-century Japanese Kakiemon palette and design. The style showcases enamels in a distinctive Kakie...

The decoration on this French hard-paste porcelain plate was hand-painted in England circa 1825 by Caroline Leigh, who signed the plate's underside. The neoclassical design centers o...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...

Antique 18th century Chinese Fencai porcelain plate, Kangxi With decoration in the middle of a vase with flowers surrounded in octangle line with flo...

The image shows an English porcelain plate, likely dating to the early 19th century, featuring a Chinoiserie design characteristic of the Hilditch factory. Type: English porcelain p...