Copper Repousse Plate 13” Dia Handcrafted in India By Stephanie Odegard

Available Sizes: 13” Dia 22" Dia 31” Dia Round repousse copper lotus form plates. Inspired by the ancient Tibetan cloud motif. Hand hammered, hand chiseled copper...

Alison Spear designed this elegant and minimal table for Stephanie Odegard during their trip together to Rajasthan, India. The craftsmen create patterns using different types of hamm...

A stylish and heavily hand-crafted Birmingham Guild Arts & Crafts copper paten or tray dating from around 1915. The tray of flat circular shape has a raised...

Josef Hoffmann - Wiener Werkstatte - Art Deco Copper Hand Hammered Plates. We have 5 plates that will be sold individualy. WIENER WERKSTATTE The Wiener Werkstatte (Vienna Workshop) exerted an enormous influence on artists and designers throughout the first part of the 20th century. In 1897 a group of progressive artists and designers, led by architect Josef Hoffman and painter Koloman Moser, formed the Vienna Secession which became the Wiener Werkstätte Produktiv-Gemeinschaft von Kunsthandwerken, Wien (the Viennese Workshop and Production Cooperative of Art Works in Vienna) in 1903 when they received backing from a prominent businessman. This enabled them to equip workshops especially for working on modern design in a range of applied arts like glass, metalwork and jewellery.Online art courses The aim of the Wiener Werkstatte artists and designers was to bring good design and art into every part of people's lives. They also wanted to break with the past and bring new style to everything they produced. Emphasis was placed on the beautiful and unique as well as faultless craftsmanship. The concept was modeled after Charles Robert Ashbee's Guild of Handicraft. By 1905 it had over a hundred craftsmen, of whom 37 were masters of their trade, its strong point being handmade metalware whose reductive style proved its dependence on hand production. In addition to the workshops on its own premises, the Wiener Werkstätte had recourse to free-lance craftsmen, students at Kunstgewerbeschule of Vienna (the School of Applied Arts, where both Hoffmann and Moser taught) and contemporary industry. Furniture production, for example, though at one point part of the Werkstätte's program, was more congenially licensed to outside manufacturers such as Gebrüder Thonet and J. & J. Kohn. In 1907, the Wiener Werkstätte took over distribution for the Wiener Keramik, a ceramics workshop of kindred spirit headed by Michael Powolny and Berthold Löffler...