Frédéric Boucheron Art Nouveau Silver Naiad Tazza Vide-Poche, circa 1900

1920s French Art Nouveau Silvered Metal Vide-Poche – Reclining Woman with Draped Folds & Botanical Lines Description: This exquisite Art Nouveau vide-poche, likely crafted in France in the 1920s, is a sculptural masterpiece in silvered metal, embodying the grace and fluidity of the era. At the center of the composition lies a reclining woman, wrapped in elegantly draped fabrics, surrounded by botanical lines and flowing forms that are emblematic of the Art Nouveau aesthetic. The attention to detail in the plissé textures, vegetal motifs, and the natural curves of the female figure make this piece a true work of decorative art—as functional as it is captivating. Key features include: Art Nouveau Mastery: Rich in organic lines, movement, and symbolism, this piece reflects the essence of Art Nouveau elegance, merging the human form with nature. Sculpted Reclining Woman: The female figure is rendered with great sensitivity and detail, lying gracefully across softly undulating folds, creating a scene of serenity and timeless beauty. Silvered Metal Finish: Crafted in silver-toned metal, the surface radiates a gentle patina that enhances its vintage charm and highlights the sculptural relief. Functional & Decorative: Ideal for use as a vide-poche on a console or entryway table, but equally powerful when displayed as a standalone decorative object or collectible Art Nouveau piece. French 1920s Craftsmanship: Likely produced in France, this piece echoes the sensual refinement and naturalism that characterized the movement during its late period. Rich Symbolism & Movement: The design integrates foliage, flowing fabrics, and feminine curves into a unified, dynamic whole—perfect for collectors of early 20th-century decorative arts. This 1920s French Art Nouveau vide-poche is more than an accessory—it is a sculpted homage to beauty, nature, and craftsmanship, offering functionality wrapped in poetic design. Keywords: Art Nouveau vide-poche, silvered metal decorative tray, reclining woman sculpture...

1940s Art Nouveau golden brown terracotta vide-poche with hand-painted naturalistic organic and floral decorations with flowers and colourful birds on a branch. Manufactured by L. Hj...

Rare antique collector's Art Nouveau figurative piece by Swedish artist Allan Ebeling. Vide-poche bowl / ashtray / figurine / wall hanging manufactured at the Bo Fajans studio in the...

Rare pair of English Dunhill art nouveau patinated bronze ashtrays, catchalls with a female nude amongst waves in bas relief with organic form edge, London, England, early 20th centu...

A very rare Art Nouveau Daum Nancy pate de verre 'Noisettes' vide poche in orange, reds, greens and yellows. Daum in Nancy was integral is ori...

Art Nouveau Frog Motif Dish/ Vide-Poche by Achile Gamba-WMF Whimsical motif of a flute playing frog romancing fish in a lake. Stamped Achile Gamba a...

Beautiful antique miniature vanity mirror for jewelry. France, circa 1920.

An original and unique ceramic bowl circa 1950

Très grand vide poche rectangulaire "Maxims de Paris" dans sa boite d'origine au décor inspiré des œuvres légendaires de Henri Toulouse Lautrec, peintr...

A beautiful Art Nouveau Gouda pottery ashtray. Wonderfully colorful floral hand painted design, from Holland. This well made decorative object can also be used as a key holder/vide poche. Signed Dalia Konin Klyk, Coedewaalem, Gouda, Holland and numbered on bottom. Measures: 4 3/4 in. diameter x 2 3/8 in. high Other interesting information about this form of pottery: There isn’t a factory called Gouda Pottery; the pottery is called that because the main factories were in Gouda. Gouda (pronounced ‘how-da’) is the generic term we use for all the pottery factories in Holland – all Dutch pottery other than Delftware, that is. The area around Gouda had clay to make pots, which is why most of the factories settled there. A lot of the clay also came from England. The Dutch started producing clay pipes...