Small English Chinoiserie Plate

Small English chinoiserie plate. William IV chinoiserie plate or vide poche/ saucer with hand painted multicolored court figures and notables with t...

Set of five chinoiserie faience dishes. Set of four Italian faience plates with matching basket with decorative hand painted chinoiserie figures in landscapes with reticulated painte...

Rose Mandarin Chinese porcelain saucer dish. Vibrantly hued Chinese Export small saucer plate in pinks and blues and greens. China, circa 1820's ...

Wedgwood Chinoiserie charger plate. Wedgwood chinoiserie shallow-bowled plate with lobed peach slip edge. Fantastical rose apricot, peach and pale...

19th century English Chinoiserie Pagoda plate.

Chinese ceramic plate, China early 20th century. Floreal motifs on the edge and chinese scene in the centre of the plate Plate diameter 3...

Quality 18th Century Chinese plate having a quality 18th century Chinese plate decorated to the centre with houses and trees and the outer panel with flow...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...