Regency Decorative Dishes and Vide-Poche

This set of three antique English porcelain plates was hand-painted by Barr Flight Barr Worcester circa 1820. The plates are decorated in the colorful and highly sought-after “Fence ...

This exquisite porcelain dish was hand-painted in the "Queen Charlotte pattern at the Worcester factory in England around 1820. It features beautifully swirling panels of pink and bl...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...

This set of four antique porcelain bowls was made by Coalport in England, circa 1825. Each bowl is hand-painted in a vibrant interpretation of the Imari style, with rich orange flora...

Stunning and extremely rare Chamberlains Worcester Cabinet or Wall Plate of Museum quality. Second quarter of the Nineteenth Century. The central rectangular reserve depicts a superb hand painted miniature of the English National Gallery in Trafalgar Square, London. This miniature is firmly attributed to be the work of painter Humphrey Chamberlain. Researched done by us shows no other similar has survived. This exquisite piece of rectangular outline with lavish gold scrolling detail and twin handles with similar detail. Height: (entire overall as shown in image one) 9.25” (23.5cm). Width: (entire) 13.25" (33.5cm). Condition: Superb condition with no losses to porcelain and no wear to gilding. Base marks in puce “The National Gallery” and “Chamberlains Worcester” In 1783, Robert Chamberlain (c.1736–98), head of the decorating department for Dr John Wall at Warmstry House, left the company to start his own porcelain decorating business in King Street, Worcester. At first he bought blank undecorated porcelain from other factories such as Caughley in Shropshire, but by the late 1780’s he was making his own wares at a new factory...

Provenance: The Private Collection of Mario Buatta a pair of Regency Period dishes with cobalt blue borders decorated with beautiful gilding. Mario loved deep cobalt blue. The border...

This pair of antique English porcelain dishes was hand painted by Flight, Barr & Barr Worcester circa 1820, a period when the factory held a royal appointment as porcelain manufactur...

A Fine Early 19th C English Davenport Dish, Circa 1835 A rare William IIII period Davenport porcelain kidney shaped dish raised up on to three foliate and scrolled feet. This fine piece has a shaped and pierced edge with raised and moulded flower heads and acanthus scrolls around it. The dish is exquisitely decorated over a grey boarder with a broad band of delicate foliate stylised intricate gilding with leaves, shells and anthemion amongst its detail. The centre of the bowl has a white ground with a superb hand-painted display of brightly coloured exotic flowers with leaves and foliage. Marked on the underside with the purple Davenport Longport Staffordshire...

The sweetness of the beautiful pink band is tempered by the brown leaves and berries and the gilded vines surrounding it. The bright white porcelain allows the pink enamels and the g...

This antique porcelain plate was hand-painted by Coalport in England around 1820. It features a lovely central scene of a two-tiered pagoda set within a garden, surrounded by floweri...

A small, rare porcelain dish, German made (Schonwald), designed by French designer Jean Luce, circa early-20th century, Germany and France. This small round dish may have been a dinn...

English cut glass and silver plate biscuit barrel. Clear cut glass. Silver plate lid and handle. No makers mark or signature.

This is a set of five exceptional plates made by Flight Barr and Barr Worcester in England circa 1820. Each plate features a delicate hand-painted shell in a roundel at the center. T...

This is a bone china porcelain Dish or Stand by New Hall dating to the Georgian Regency period of the early 19th century, circa 1820. The dish is well potted on a low foot. The decoration is bat printed in the manner of Adam Buck...

Painted at Chamberlain's Worcester around 1810, this dish draws inspiration from 17th-century Japanese Kakiemon palette and design. The style showcases enamels in a distinctive Kakie...

This elegant pair of English blue and white porcelain saucers was made by Copeland Spode for Mortocks Oxford Street in the late 19th century. The white porcelain is decorated with sw...

Six antique porcelain saucers with cobalt blue and gold borders were made in England in the late 19th century. The gilded decoration is simpl...

These Deby saucers were made in England around 1820 and feature deep blue borders with vibrant gilding. The gilt was applied by hand using a stencil, resulting in exquisite floral fo...

A delightful English porcelain dish made circa 1820 hand-painted with exquisite flowers on crisp white porcelain. In the center is a lovely pink rose. Other roses, forget me nots, an...

This pair of brightly colored oval dishes are each decorated in the center with an exquisite rose hand painted in pink with green leaves. Around it are six pairs of smaller red flowe...

This exceptional creamware shell shaped dish has a lovely yellow ground decorated with brown chrysanthemums, scrolling vines, and golden leaves. The...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...

19th Century English Regency Tole Metal Toleware Hand Painted Tray Crown Shield. Item features hand painted details throughout with shield, crown, horse, and eagle central design, au...

A fantastic vintage Regency plate. Made by the iconic Wedgwood group and signed on the bottom. A beautiful blue green high gloss glazed finish. Acquired from a Palm Beach estate

19th Century pair Regency cut glass bon-bon dishes. Circa 1820.