American Bowls and Baskets

Pair Mid Century Cerulean Blue Brutalist Bowls by Lee Rosen for Design Technics. Overall excellent vintage condition with age appropriate wear. No chips, cracks, or repairs. Each M...

6 and a half inch round dish ashtray with cork bottom, and makers markings.

Sculptural masterpiece in tableware, with a classic mid-century mix of materials.

An edition of 150 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to ra...

Carved out black marble ashtray, revealing nicely placed circular white veining. Has an imperfection / chip near one of the cigarette notches, shown in image 3, bottom left notch.

This is a stunning plate by Bruny Graves! It has a lot of texture and contrasting color! The trees are outcised and highly textured. The plate has a nice crackled glaze. A beautifu...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

This multi-functional bowl is perfect for fruits or vegetables or for serving food. Hand-cast in porcelain and once bisque fired, each dot is hand-painted with traditional cobalt blu...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pou...

Add a touch of whimsical elegance to your tabletop with this charming vintage serving tray by Arthur Court. Expertly crafted from the brand’s signature sand-cast aluminum, this piece...

Introduce a soft, sculptural touch to your interior with this distinctive vintage studio pottery tray. Hand-built using the slab technique, this ceramic piece exemplifies the playful...

Celebrate the tactile artistry of the studio pottery movement with this substantial vintage stoneware tray. Masterfully hand-built using the slab technique, this organic platter feat...

Embrace the raw, elemental beauty of the ceramic arts with this striking vintage studio pottery tray. Masterfully hand-built using the slab technique, this square stoneware platter f...

Embrace the organic beauty and global appeal of this vintage Boho hand-carved coconut shell bowl. This unique decorative piece showcases intricate hand-carved patterns, featuring a s...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Add a touch of coastal whimsy and classic charm to your decor with this delightful vintage brass lobster dish. Crafted from solid cast brass, this sculptural piece features a stylize...

Original plain black Bodum ceramic bowl by C. Jorgensen.

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Nice hand decorated English bowl.

Handmade Ornamenti Bowl Inlay in White Marble by Stephanie Odegard is one of the best examples of reproduction of the Pietra Dura technique. This richly designed bowl is full of prec...

7 ½” open round Nantucket lightship basket with brass ears , “R Folger Maker Nantucket, Mass” is stenciled on the interior bottom, circa 1875 Rowland Folger (1803-1883).

Gorgeous turn-of-the-century Martelé-style Art Nouveau 950 silver basket. Made by Black, Starr & Frost in New York. Flared and ovoid mouth fand cylindrical body flowing into spread f...

Classic Mid-Century Modern ceramic pottery by Marc Bellaire, 3 piece set includes stylized covered bowl, two stylized plates.

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

A large-scale, hand-hewn wood mortar bearing evidence of heavy use, including old, primitive tin repairs to interior and underside. Fantastic character, makes a striking centerpiece....

A glazed ceramic tea bowl (chawan) circa 1960s made by Japanese American artist Toshiko Takaezu (American, 1922 - 2011), whose work was heavily influenced by the Japanese ceramic tra...

Turned biomorphic walnut bowl, Rude Osolnik Originals.

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Add a vibrant touch to your decor with this stunning set of two vintage boho ceramic bowls. Featuring a bold orange glaze with an expressive dripping effect, these hand-crafted piece...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

An edition of 150 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Very nicely made and crafted boomerang or flying V-form hammered copper bowl.

Invite the healing energy of fluorite into your home with this exceptional mineral bowl. Known for its calming and purifying properties, fluorite is a semi-precious stone that brings...

Large Edwardian Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, circa 1907. Bowl has solid center with engraved leaves and tendrils, surrounded by pierced inte...

Art glass bowl by Burchetta, Wilmington NC, signed and dated 1997.

Beautiful vintage Craftsman Studio bronze bowl in floral motif. Made in the 1920s in Laguna Beach, California. Shipping from Orange, California.

This acrylic-painted ceramic plate features a reproduction of one of photographer Joel Brodsky's iconic portraits of Jim Morrison. The artist depicts Morrison's striking features tru...

A centerpiece with gravity. Hand-carved from solid hickory, this large bowl is all about presence—subtle curves, generous scale, and the wild, natural beauty of the wood itself. Hic...

The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

With strong minimal architectural forms emphasizing the tension between positive and negative space, the sculptural Maison Collection is comprised of a serving tray, medium bowl, and...

With strong contemporary architectural forms emphasizing the tension between positive and negative space, the minimal Maison collection is comprised of a serving tray, medium bowl, a...

This exquisite vintage ceramic bowl embodies a charming boho aesthetic, perfect for adding a touch of serene elegance to any setting. Its distinctive scalloped edge design, reminisce...