1870s Bowls and Baskets

A large Arts & Crafts ‘Clutha’ art glass bowl designed by Christopher Dresser (British, 1834-1904) attributed to Thomas Webb and dated 1879. The bowl is of distinctive wide rounded s...

Large 1870s bronze classical tazza.

This amazing hand carved folky original blue painted dough bowl is in fine condition and super rare color to find.The blue paint is undisturbed and super patina.It was found in New E...

An Antique 19th Century French Baccarat Pink and White Opaline Crystal Covered Bowl with Gilt Decoration. The bowl features a rounded base of opaque white opaline, transitioning int...

A pair of Chinese "Family Rose" Bowls, in a French ormolu gilt pedestal mount with side handles. The bronze mounts are made in France, 1870-1880. The pair is in good condition. No c...

A Chinese Export Rose Medallion Famille Rose canton porcelain punch bowl with multiple cartooge panels. The exterior of this gorgeous bowl ...

A very fine and decorative Aesthetic Movement Doulton Lambeth early stoneware bowl decorated with scrolling seaweed and rosette designs by renowned artist George Tinworth and dated 1...

Papier mâché Napoleon III bowl or vide poche. Gilt color, Gold. With Chinese Characters. 19 th Century.

Minton Majolica centrepiece bowl which features three pigeons perched on a leafy oak branch, supporting a large basketweave bowl on their fan tails. Bowl is decorated with oak leaves...

A beautiful antique marble dish. The marble type of the border is Aleppo Breccia marble (Brèche d'Alep). Estimated age and origin, France, circa 1870-1880. A beautiful decorative pie...

Minton Majolica basket which features pond lily leaves and flowers tied together with lily stems which form the handle. Four flower bud feet. Co...

Rare large Swedish antique and decorative wooden bowl / tray in a wabi sabi style with handles produced in Sweden mid / late 1800s. Original condition with a greyish patina. Dimen...

Signed Carrier et H Journet et Cie, 24 bd des Italiens, Sté des Onyx and numbered 2326 Diameter Base : 44 cm (17,3 in.) ; Diameter bowl : 49 cm (19,3 in) Important and rare circular...

Aesthetic sterling silver basket. Made by Gorham in Providence in 1874. Oval bowl on domed foot. Strap handle buckled to loop mounts threaded with calla lilies that wrap around baske...

A gilt bronze and violet crystal square bowl, very fine chasing of the bronze, 19th century, Napoleon III period. H: 7 cm, W: 18 cm, D: 15 cm

19th century Swedish folk Art wooden bowl dated 1871 Signed OAS A stunning antique organic wooden bowl with lovely patina & trace originalpaint. You can see the use of time. The bowl...

Large French cake stand dated 1871. Object for antique dealers and collectors, with Alph stamp on the base. Giroux Paris (see photo) referable to Alp...

Charming Figural Victorian Silver Plated Brides Basket from the late 19th Century. Ornate design with doves nesting around their e...

Antique Chinese Civil Service Examination Basket (kao lan), a traditional rectangular bamboo basket with hinged lid and a pinned overhead handle for carrying, The flat panel lid has ...

This is an antique country ladies garden trug. An English, pitch pine outdoor tool carry, dating to the Victorian period, circa 1870. Strikingly figured and wonderfully practical, id...

STUNNING ~~Antique English Holdcroft Majolica Footed ("Hoof" Feet) Cache Pot, Planter, Jardiniere, Flower Pot, Bowl or Vase with Bird Medallions and Angel or Mermaid Supports~~c. 1870s Authentic French majolica...

This is a late 19th century Italian neo classical bronze compote. This classical bronze compote has ornate claw feet and mythical figures on either side of the bowl with rings. This ...

A rare small French palissy majolica comport with cabbage leaf signed Emile Gambut and dated 1879. The base is composed with branches. Famous French ceramist , with ceramics at the...

Magnificent and rare Antique Victorian tea stove. Striking Dutch design from the 1870s. Solid walnut hand-carved frame with four hand-carved legs. Original brass bucket inside.which ...

A fine and unusual antique Aesthetic Period Oriental pattern Lotus flower shaped porcelain bowl by Royal Worcester and dating from around 1875. The bowl of rounded shape is modelled as an open Lotus Flower raised on an open work intertwined stem and leaf shaped base with foliage. The bowl is hand painted in tones of blue on a white ground, the inner bowl with a stork in flight with flowering stems and bamboo shoots. The bowl has an impressed Royal Worcester mark for the year 1875. Royal Worcester’s Art Director Richard Binns of the Kerr Binns...

An Imari chop plate. Charming, well decorated panels featuring phoenix birds around a central floral medallion. Japan, c.1870. Minor kiln flaw and glaze flaw. 12" dia. Whitehall Ant...

Emile Gallé, France. Antique bowl in mouth-blown art glass with hand-painted flower decorations in gold, 1870s-1880s. Measures: 24 x 5 cm. In good condition with wear and loss to gil...

Brown Westhead Moore and Co Majolica basket which features flowers on the four corners, basketweave style sides and the handle modelled in the for...

19th Century Nantucket Lightship Basket by Capt. Thomas James (1811 - 1885), circa 1870, a round open swing-handled basket having cane weave on rattan staves with beveled edges, pine...

Signed Désiré Attarge Fit and F. Barbedienne Paris Pair of silvered bronze cups, chased by Désiré Attarge after an antique model (Ist Century), known as the Coupe d’Alésia or Cantha...

A Beautiful and Quite Unusual Meissen Porcelain Reticulated Centerpiece with Rams Heads Handles, Lions paw feet, and Wreath Border. The centerpiece is formed as a circular reticulat...

An exceptional, fine and impressive antique Victorian English sterling silver dish modelled in the form of a bassinet/cradle; an addition to our baby related silverware collection T...

Emile Gallé for St. Clement. Dish on four feet in hand painted faience. Decorated with flowers and birds, 1870s. In very good condition. Signed. Measures: 30.5 x 15.5 x 6.5 cm.

Elegant English porcelain bisque tall pedestal center bowl depicting the tree graces. The reticulated bowl with the center of the three graces on a round footed base. Attributed to...

19th Century Nantucket Lightship "Peck" or Half Bushel Basket, attributed to Captain Henry F. Coffin (Nantucket: 1813 - 1889), a very large peck measure b...

Important tray made in gilded bronze and “cloisonné” enamel attributed to Elkington and Willms. Ornamented with a centering polychrome enameled peacock plaque, made of very high standard quality, mounted on a gilt-bronze dish, decorated in relief with Japanese Nô theater masks. The great Birmingham firm of Elkingtons, was largely the creation of George Richards Elkington (1800-1865), who worked from 1824 in Birmingham as a manufacturer of silver-mounted scent bottles. By 1829 the business had expanded sufficiently for a branch to have been established in London. In the late 1830s the Elkingtons began making experiments to apply the principles of electro-metallurgy to gilding and plating with silver and in 1840 the patent was at last taken out. Elkingtons owed their rise to a position amongst the most important silversmiths of the country to their exploitation of this new process and the two of the most famous designers then employed, both of them French, Albert Wilms (1827-1899) and Morel-Ladeuil (1820-1888), who helped to make Elkingtons’ reputation with their elaborate exhibition pieces. Albert Willms was apprenticed as modeler and engraver to Klagman, Dieterle and Constant in Paris before working for Morel & Co. in London in 1848. On his return to Paris he was employed by the great Parisian silversmiths including Christofle and Froment-Meurice, for whom he designed pieces to be presented at the 1855 Universal Exhibition in Paris. It was during this period that he joined the firm of Elkington in London as head decorator. Elkington was soon to become one of the first to produce refined pieces in “champlevé” enamel in the Chinese and Japanese styles, which were presented with great success at the London Universal Exhibition in 1862 (see Masterpieces of Industrial Art & Sculpture at the International Exhibition 1862, J.B. Waring, London, 1863, III, pl. 211). Willms’ “champlevé” enamels could not be compared, however, with the delicate “cloisonné” enamels exhibited by Japan at the Universal Exhibition in Paris in 1867. This explains why Elkington adapted the ancient Japanese technique to produce pieces according to European taste and custom. Followings the 1867 Exhibition all the major European artists rivaled in ingenuity for the 1873 Universal Exhibition in Vienna. In London Albert Willms presented his luxurious vases and cups in “cloisonné” enamel for Elkington (see Illustrations of Art Manufacturers in the Precious Metals exhibited by Elkington & Co., Inventors, Patentees and Manufactures of electroplate, 1873), whilst in Paris, Ferdinand Thesmar (1843-1912) produced in the workshops of Ferdinand Barbedienne (1810-1892) a tray decorated with a golden pheasant in “cloisonné” enamel on copper...

A large, beautiful, and rare 19th century neoclassical reticulated Meissen centerpiece with open filigree, rams heads, flaming finial, and love bir...

Hallmarked in London in 1879 by Martin, Hall & Co., this stunning, Antique Sterling Silver Bowl, is in the Aesthetic taste, featuring cast and applied floral and butterfly detailing,...

Heading : Tunbridge ware sewing basket with cubework design Date : c1875 Period : Victoria Origin : Tunbridge Wells, Kent Decoration : Central perspective cubework design with ge...