19th Century Chinese Solid Silver Aristocratic Processions Scene Box, c.1870

Antique 19th Century Imperial Russian solid trompe l'oeil cigar box. The outside of the box features a decorative engraving with the words "Paper", "Cigarettes" and "25 pieces" in Cy...

Antique 20th Century Chinese solid silver cigar box featuring a smooth, slightly textured hand hammered surface on all sides and a striking high-relief dragon on the lid and sides. O...

Antique early 20th Century English solid silver casket. it is a blank canvas in that he interior is completely unlined but for some faint traces of the original gilding to help prote...

Antique early-20th Century Tiffany & Co solid silver three tier cigar box, cedar-lined, rectangular shaped, the bottom compartment used for cigars and is mounted with a partly raised hinged cover supporting a smaller cigarette box and its lid supporting hinged match box with cigar clipper with ball handle, the exterior of the box is engraved with a scrolling foliage pattern throughout. Hallmarked Sterling silver (925 standard), Made for Tiffany & Co, stamped inventory number 123. One of the most iconic jewellery brands, Tiffany & Co's history begins from a small store that was opened on Broadway, New York in 1837. Two school friends Charles Lewis Tiffany and John B. Young started to sell stationery, fancy souvenirs, china and haberdashery. In 1841 the company got a new partner, J.L. Ellis, who suggested selling silverware, jewellery and clocks. The firm changed its name to Tiffany, Young and Ellis. Charles Tiffany decided to move away from the classic Victorian style that was popular at that time. The owners of the company set up designers to seek inspiration in nature and interpret it in clean and harmonious forms. This innovative approach became known as the "new American style". In 1853, Charles Tiffany bought the shares of his partners and renamed the company to Tiffany & Co. Beyond jewellery, Tiffany met the growing demand for luxury items from affluent Americans. Solid silver snuff boxes, polished stationery, purses, bouquet holders, perfume bottles and French cosmetics could be found at Tiffany's. In 1851, the company hired New York's prolific silversmith John C. Moore to design silverware. Moore's silver designs won numerous awards at world exhibitions in the late 19th century. In 1878 Tiffany was awarded the Grand Prix for its Japanese-influenced silverware at the Paris World Exposition. The company became the first American jeweller to be awarded. Because of the California Gold Rush in the 1850s, Tiffany started to use gold and silver, extracted within the country. Alongside with the introduction of American gemstones...

Chinese export silver repousse scenic box, depicting traditional scene of a mandarin riding his horse on the cover. The sides are decorated with stylized plant pattern. Marked "90" f...

An exceptional, fine and impressive antique Burmese silver box; an addition to our diverse Asian silverware collection. This exceptional antique Bu...

German silver box. Imported to England in 1900 by William Moering. Rectangular with straight sides; cover flat and hinged. On sides and cover top, in relief, scenes of rustic idyll w...

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...