Inlaid Cave de Liqueur by Maison Alphonse Giroux, circa 1830

A French gilt-bronze mounted, fruit wood and ivory marquetry metal cloisonné jewellery box by Maison Alphonse Giroux and Ferdinand Duvinage, Paris, ...

An exquisite egg-shaped wooden box by Maison Alphonse Giroux, crafted in the second half of the 19th century. The box rests on a round base and features metal fittings, including a d...

Timeless and all handcrafted, Parisian 'display box' from the mid 1800s. If you are looking for an exclusive and very stylish box for yourself or a loved one then this avantgardisti...

Antique French liquer cellar, cabinet “Cave a liqueur” An antique French book-shaped lidded liquer cellar cabinet, also called “Cave a liqueur”. A liqueur cellar hidden in 18th cent...

A pair of gilt and patinated bronze Ewers in the Manner of Clodion, by Maison Giroux. Signed ‘Alph. Giroux Paris’. Each ewer having a tapering ovoid body finely cast with a pa...

A box from Alphonse Giroux in Paris The whole is adorned with a finely chased bronze Neo-Gothic-style frame decorated with symmetrical foliage, flowers and scrolls, notably framing t...

Gilded bronze cup or drageoir on foot, decorated with putti and chimeras, with a belly in cut and silvered brass mesh, on a white marble base Very original and delicate object, desp...

Rare vide poche boxe in copper and silver inlaid by Christofle Paris. Good condition.

Charles X-era travel nécessaire consisting of citronnier wood case, decorated with small polished steel studs and fitted with key, containing chiseled gold, turquoise (insets) and mo...

Beautiful ovoid-shaped covered vase in patinated bronze with golden highlights, with rich rotating decoration in relief. The lid, symbolizing Night, is decorated with a turtle, a moon, a dragon flying among the clouds ; and the belly, symbolizing the Day, is decorated with a rising sun, mountainous landscapes, and cherry tree branches. The whole, topped with a flamed seed, is supported by three African-type atlantes dressed in a loincloth. Historical and artistic context This work of art combines elements of Japonism and Orientalism, two important movements representative of the taste of the time for exoticism. Indeed, this taste for Chinoiserie was revived at the end of the 19th century following the Franco-English military campaign against the imperial army in China in 1860. Napoleon III’s French troops bring back part of the treasure from the Summer Palace, constituting in 1863 the famous Chinese Museum of Empress Eugénie at the Palace of Fontainebleau. First in painting, the movement quickly spread to decorative arts and furniture. This craze for the Far East is encouraged in France by the diffusion of Chinese ornamental works renewing the interior decoration of the luxurious Parisian residences of a clientele eager for something new. It was also under the Second Empire that the Orientalists were propelled to the forefront. Emperor Napoleon III, aristocrats as well as wealthy bourgeois in search of exoticism fill the order books of the most renowned artists. It is then not the predominantly academic style of the Orientalists that counts but above all the exoticism that they show to a fascinated public. Biography Alphonse Giroux and Company, famous curiosity and luxury goods shop was situated in Paris, at No. 7 rue du Coq-Saint-Honoré and in business from the time of the Consulate until the end of the Second Empire. The company was founded by Francois-Simon-Alphonse and continued in 1838 by his two sons, Alphonse-Gustave (1810-1886) and André (1801-1879). The father became a close associate of the royal family and specialized in the manufacture of refined items for gifts. Kings Louis XVIII and then Charles X were both supplied with gifts for « The Children of France » by Giroux. Making progressively small furniture, they were mentionned for the first time in 1837 in the class « cabinet...