Art Nouveau Silver Metal Jewelry Box

Art Nouveau Sterling Silver Decorative Box This sterling silver decorative box features an oval shape with elaborate edges. The lid is decorated with an intricate enamel floral desig...

20th century sterling silver handbag-shaped box Beautiful decorative silver box, with a central design of a rose and a frame of bows on both sides. Sealed Measures: Height: 7.5 centi...

Sterling Silver Box with Enamel Design This square-shaped box with chamfered corners is made of 800-thousandths pure silver and features an enamel design and gold plating. The lid fe...

Papier-mâché Snuff Box with Silver Piqué, 19th Century This rectangular, oblong snuff box is constructed of papier-mâché with a black lacquer finish. It features a complete silver pi...

Large Art Nouveau silver jewelry box France 1900-1910 This gem of a jewelry box from France is not only heavy but is also extremely decorative due to its elongated shape. The basic decoration consists of closely placed grooves that recur both front and back, as well as on the side and on the lid. Furthermore, the lid has 2 square fields in which 2 girls' heads are stamped. Both wear a floral hair...

Art Nouveau silver plated repousse tobacco or jewelry box The top, front, sides and back are beautifully cast and feature panels with images of birds...

French Art Nouveau silver round shaped box with cranberry glass liner and floral design.

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...