19th Century Pair of Marble and Gilt Bronze Figural Candelabra by Eugène Hazart

A Fine Pair of Ormolu-Mounted Candelabra in the Louis XVI Manner Constructed from Carrara marble with mercury gilded mounts, the vases are supported on square bases with laurel-wreathed socles; the marble ovoid bodies with ormolu foliate twinned handles and floral festooning; each candelabrum issuing a gilded bouquet of flowers with three candleholders. French, circa 1880 A nearly identical model appears in the daybooks of the famous l'Escalier de Cristal, described as "Candelabres vase marbre...

Each with six curved candle branches, the reeded column raised on a foliate shell and griffin tripartite base and decorated with hanging chains. Bearing the marks for the year 1865. Literature: Elkington and Company, formed by the brothers George and Henry, was founded in the 1830s, after perfecting their newly patented method of electro plating in gold and silver, for which their first patent was granted in 1840. They exhibited at the European and British nineteenth century Great Exhibitions, and were given permission by Queen Victoria in 1868 to copy the collection of Royal Plate...

Finely chased figures of boy and girl. The bases re 4" x 4".

A quite superb pair of French Louis XVIth transitional ormolu and white marble figural candelabra. Set on a square ormolu base with white marble socle. Each figure beautifully sculpted and hand finished by the Graveur after the fire gilding process. Both boy and girl hold an ormolu flower pot in which are two ormolu candle holders in the form of tulips. While unsigned, the form may be attributed to Prieur . Very fine condition with superb and original fire/mercury gilt ormolu and retaining hand cut screws and threads. Circa 1770. 16 inches tall by 4 inches square at base. JEAN LOUIS PRIER (le vieux) b Paris, 1732–6; d Paris, 6 May 1795). French sculptor, bronze-caster, designer and engraver. He may have been trained by his cousin JEAN-JOSEPH DE SAINT-GERMAIN. Prieur was accepted as a sculptor in the Académie de Saint-Luc, Paris, in 1765 and became a master bronze-caster and chaser in 1769. In 1766 he collaborated with Victor Louis and Philippe Caffiéri.