Lemerle-Charpentier Cie Marble, Gilt and Patinated Bronze Clock Set

French red marble and gilt bronze Neoclassical style matched clock set French, late 19th Century Clock: Height 70cm, width 57cm, depth 23cm Candel...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

This clock set contains a mantel clock and a pair of candelabra. The central mantel clock is formed of a rectangular gilt bronze mounted grey marble base. Raised on four gilt bronze ...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

This exquisite three-piece French bronze and marble clock garniture by Lemerle-Charpentierwith a movement by Samuel Marti and is a superb example of late 19th-century Parisian decorative arts, combining fine sculpture, architectural marble, and precision horology into a unified and highly ornamental ensemble. Comprising a central mantel clock flanked by a matching pair of figural candelabra, the set was designed as a complete decorative statement for a grand salon, mantelpiece, or formal interior. The central clock is mounted in luminous white marble, richly accented with finely chased gilt bronze mounts. Atop the case stands a beautifully modeled putto figure in dark patinated bronze, animated and expressive, holding a torch aloft—an allegorical symbol of enlightenment, time, and knowledge. The contrast between the dark bronze figure, warm gilded details, and cool marble ground creates depth and visual drama. The circular enamel dial with Roman numerals is elegantly framed, underscoring the refined balance between function and ornament. Flanking the clock are a matching pair of bronze figural candelabra, each centered by a sculptural putto standing on a marble base. The figures support scrolling, gilt bronze candle arms terminating in classical bobeches, creating graceful upward movement and symmetry. The sculptural modeling of the figures—soft anatomy, expressive faces, and dynamic poses—demonstrates the high artistic standards expected of Parisian luxury objects during this period. Lemerle-Charpentier: Parisian Masters of Decorative Clocks The set bears the name of Lemerle-Charpentier, a respected Parisian firm active in the second half of the 19th century. Lemerle-Charpentier was renowned not only as a clockmaker, but as a collaborator with elite bronze casters, sculptors, and marble workshops, producing clocks and garnitures that rivaled the finest decorative arts of the era. Their pieces were often signed on the dial or movement, signaling quality, reliability, and fashionable taste. The firm specialized in luxurious mantel clocks, figural garnitures, and exhibition-quality pieces, many of which were exported internationally to decorate aristocratic homes and refined interiors. Lemerle-Charpentier clocks frequently feature award-winning movements paired with elaborate bronze sculpture, making them especially desirable to collectors today. Decorative and Collectible Significance Three-piece clock sets of this caliber were designed to convey status, refinement, and artistic literacy. Today, original Lemerle-Charpentier garnitures are prized for their sculptural quality, historical integrity, and decorative impact. Elegant, cohesive, and richly detailed, this Lemerle-Charpentier bronze and marble clock set is a timeless centerpiece—equally compelling as a functional timepiece and as a work of French sculptural art.Samuel Marti et Cie was one of the most important and respected French clock movement...

Truly unique clock set in pink marble and bronze decorative piece of art the clock is modelled in the image of an 18 century sedan chair that is covered ...

A very impressive 19th century Louis XVI style Bachuss influenced bronze and gilded ormolu clock garniture. The pair of four branch candelabra each supported by bronze putti, raised ...

Gilt bronze and marble three piece clock garniture. Clock signed Raingo Fres. France, 19th century. Clock works. Clock dimensions: 71 cm height, 46 cm ...