1770s Grandfather Clocks and Longcase
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Period: 1770s
Antique Georgian Long Case Grandfather Clock Higgs
Evans London Spanish Market
By Robert and Peter Higgs of London
Located in Portland, OR
A fabulous investment quality antique George III Flame mahogany & gilt bronze eight day movement tall case grandfather clock, by Robert & Peter Higgs & David Evans, made for the Span...
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English George III Antique 1770s Grandfather Clocks and Longcase
Materials
Brass, Bronze, Ormolu
18th Century Mahogany Longcase Clock by John Wood of Grantham
Located in Martlesham, GB
18th century mahogany longcase clock by John Wood of Grantham (known to be working from 1753-1797) an imposing mahogany clock wi...
Category
English Georgian Antique 1770s Grandfather Clocks and Longcase
Materials
Mahogany
Phillip Avenell of Farnham English Tall Clock with Japanned Case circa 1770
Located in Milford, NH
A fine example of an English tall clock with japanned case by clockmaker Phillip Avenell of Farnum (d. 1783). Avenell was part of the renowned and p...
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English Georgian Antique 1770s Grandfather Clocks and Longcase
Materials
Metal, Brass
Swedish Black Lacquered and Gilt Chinoiserie Tall Case Clock, Lanner, Circa 1775
By Josua Lanner
Located in Charleston, SC
Swedish black lacquered and gilt Chinoiserie tall case clock with arched decorative floral hood, flanking finials, turned bulbous columns, ormolu and steel engraved face, figural flo...
Category
Swedish Gustavian Antique 1770s Grandfather Clocks and Longcase
Materials
Ormolu, Steel
Swedish Gustavian Longcase Clock
Located in Ljungby, SE
Fantastic Swedish Gustavian longcase clock. The case is a Stockholm work from around 1770/1780. It is lacquered and gilded with rich wood-carved details of, among other things, garla...
Category
Swedish Gustavian Antique 1770s Grandfather Clocks and Longcase
Materials
Brass, Iron
George III Mahogany Longcase Clock by William Taylor of Whitehaven, Cumbria
Located in Essex, MA
William Taylor lived 1738 till 1801. Beautiful case with unusual fret carved sides of case. The carved broken arched pediment with carved rosettes and trailing vine, reverse glass pa...
Category
English George III Antique 1770s Grandfather Clocks and Longcase
Materials
Mahogany
Swedish Rococo Longcase Clock signed Petter Södermann Stockholm
Located in Worpswede / Bremen, DE
Very decorative and fine rococo longcase clock by the renowned clockmaker Petter Södermann Stockholm (1740-1813). Finely carved case with scroll and shellwork gilded and painted in a...
Category
Swedish Rococo Antique 1770s Grandfather Clocks and Longcase
Materials
Wood
Gustavian white painted Longcase Clock Mathias Kullberg Stockholm 18th century
Located in Worpswede / Bremen, DE
Very decorative Swedish longcase clock from the Gustavian period painted in a cream white with giltwood decoration. The dial is signed by the St...
Category
Swedish Gustavian Antique 1770s Grandfather Clocks and Longcase
Materials
Wood
Small Georgian Mahogany Longcase Clock by John Paine, Brentford
Located in Norwich, GB
Georgian mahogany Longcase clock by John Paine, Brentford
A slim finely figured flame mahogany case with stepped base and raised moulding to the plinth. Long break arch trunk door...
Category
English Georgian Antique 1770s Grandfather Clocks and Longcase
Materials
Mahogany
1972 Carl Malmsten Unique Longcase “Tidlösa” Clock, Birch and Masur Birch
Located in London, GB
Carl Malmsten “Tidlösa” Longcase clock in Birch and Masur birch. Case signed Malmstens Verkstadsskola 1977, Carpenter Master Artur Jönsson, clock marked Westerstrands Sweden.
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Danish Scandinavian Modern Antique 1770s Grandfather Clocks and Longcase
Materials
Birch
George III Oak Cased Longcase Clock by Philip Avenell, Farnham
Located in Norwich, GB
George III longcase clock
George III oak longcase clock standing on a double stepped base with long trunk door and brass escutcheon. Integ...
Category
English George III Antique 1770s Grandfather Clocks and Longcase
Materials
Oak
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Description:
Beautiful and very unusual grandfather clock with elaborate complications and a very decorative dial.
The walnut veneered case stands on a plinth with maple and ebony inlays. The elaborately designed head with round arch and multi-level structure is glazed on the side and provides an unobstructed view of the clock and barrel movement.
The interestingly designed dial shows Roman hour numerals and Arabic 5-minute increments in a large silver-plated ring. In addition, there are five smaller sub-dials for the seconds, the days of the week and the months, as well as for starting and stopping the striking mechanism and the musical movement. The date is displayed in a small window below the centre winding hole.
At the top of the round arch we see the beautifully painted moon phase, the age of the moon and a scale for setting the musical movement. There are 12 different melodies to choose from: Mars van Generaa - Niewe Gavott - Mars van P Eugeen - Menuet - Niewe Merliton - Menuet - Hollanse Vrouw - Oude Merliton - Morgen Liedt - Air - In den Vorst - Mars van K Georgie.
The blued steel hands stand out cleanly against the fire-gilt, relief background and the black lettering on a silver background.
In the case, the brass pendulum swings behind the three weights that drive the movement, striking train and musical train. When fully wound, the clock runs for about 8 days.
The barrel movement is triggered every half hour and strikes 14 bells with 26 hammers. The hammers are operated by the pins driven into the cylinder, which can be moved axially into 12 different positions according to the 12 melodies.
Two additional large bells strike on the half and full hour.
Worth knowing:
It can be assumed that the clock was made in London and was intended for export to the Dutch market. This is evidenced not only by the English-style subdials, some of which are engraved in English, and the roughened, gold-plated backgrounds, but also by the fact that all minute numerals are aligned towards the centre, that there is no alarm clock and no quarter-hour strike, and by the way in which the roller of the music mechanism is mounted.
At the time this clock was made, it was not unusual for English clockmakers to be apprenticed in the Netherlands and vice versa. As a result, a number of clocks are known today that are stylistically located in the Netherlands but bear an English signature - and the opposite is also possible: English clocks with a Dutch signature.
The clocks built in England for export were more or less adapted to Dutch taste and the day and month discs were often engraved in Dutch in England. What is particularly curious is that some of these clocks apparently never left England.
In his book De Nederlandse Staande Klok Jan Zeeman shows a dial signed "Allen Walker - London" on page 436, on which all kinds of Dutch features can be seen. For example, the names of the days and months are engraved in Dutch, the minute numerals from 20 to 40 are turned and the musical movement is also very similar to the clock on offer here.
A clock adapted for the English market in typical Dutch style but with English lettering was made by Audouin in London in 1735(see Derek Roberts - Die englische Standuhr p.144).
An example of another clock with a musical movement, this time for the German-speaking market, was made by Henry Smith around 1770, also in London (see John Robey - The Longcase Clock Reference Book Vol. 1 p.331).
In general, it is interesting to see how the international trade in clockmaking was far ahead of its time. In England, France and the Netherlands, there were regular suppliers of movement parts, bells and even entire clock faces. And even in the 18th and 19th centuries, there were producers of inexpensive clocks designed for international trade - think, for example, of the German Black Forest clocks and the French Comtoise clocks...
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