Egyptian Revival Bronze and Marble French Mantle Clock

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

Tis stunning vintage 19th century French Empire white marble mantel (fireplace) clock was made for Tiffany & Co. The clock has a lyre shape body accented with doré' bronze sculpted embellishments of the period. The top of the clock features a radiating sun burst disc with the face of the North wind. The white enamel clock face has Arabic numerals & garlands of flowers &, also, garlands of flowers that surround the Tiffany & Co. name. There is a glittering ring of faceted paste stones attached to the pendulum &, as the pendulum moves, so does this jeweled ring, creating a dazzling effect. The clock has a key wind movement with a French bell. The clock key is present. This clock runs, but will require a cleaning/service to keep accurate time & is sold as is. This wonderful antique time piece...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...