Fine Quality French Gilt and Patinated Bronze Mantel Clock

Fine quality Louis XVI gilt and patinated bronze figural mantel clock of Venus with cherubs. Fine quality Louis XVI gilt and patinated bronze figural mantel clock of Venus with cher...

Ornate rocaille scrolled base with garland swags, centered the enamel white clock face with Roman and Arabic Numerals, the face with, G. Philippe, Palais Royal 66, flanked by two put...

A fine quality gilt bronze and porcelain figural mantel clock. The figure of a maiden placing a garland of flowers over the cherub’s head. Origin: French Date: circa 1880 Dimen...

The enamel dial signed 'GALLE RUE VIVIENNE A PARIS’ Movement: Claude Galle (1759-1815) Origin: French Date: 19th century Size: Height 14 x 12 x 4 3/4 inches Claude Galle ...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

The oval base raised on toupie feet, centered with a panel of hunting dogs with hunting trophies on each side, the case supported by a landscaped scenery of water and rocks and surmo...

An exceptional French gilt bronze mantel clock marketed by Tiffany & Co, with classical cast gilt figures of a boy and girl reading on each side of the clock, a central raised panel ...

This impressive mantel clock with an eight day single fusee movement evokes the concept of time well spent in learning. It is crowned by Jupiter's eagle who bears sacred oak garlands above the dial, whose Ionic capital cradle is framed by addorsed studying nymphs. They are seated on a bronze plinth which is centred by an Arcadian Pan mask amongst golden flowered ormolu garlands, the whole resting on turned baluster feet. The dial is cast in ormolu and unusually has Arabic numerals, surround by a anthemion frieze bezel. With the eagle a symbol of Jupiter and hence the divinity of learning, and the mask of Pan a reference to the natural world. This clock is, therefore, a celebration Natural Philosophy, the study of science and the natural world, and a display of classical learning and understanding. The two seated figures derive from the model of L'Etude, which together with La Philosophie, was created for the Sèvres factory by Louis-Simon Boizot in 1780. Under the instructions of the marchand-mercier Dominique Daguerre, these figures were incorporated into a clock design, from which the present clock derives, by the cisleur-doreur François Rémond. In 1788 Daguerre delivered two clocks after his new design to Louis XVI for the Château de St. Cloud. The model obviously appealed to the Prince of Wales, later George IV, as he purchased two clocks of this model from Daguerre, one of which was in his bedroom, the other in his dressing-room one is now in Windsor Castle the other in Buckingham Palace. This clock was probably made by Baetens & Co who specialised in bronze and ormolu decorative objects in the Regency period. No doubt identifying the fashionable subject matter and style after the Prince Regent popularised it at Carlton House. They made models in bronze ormolu and marble for many clock makers of the period. A near identical version of this clock was in the collection of the Marquess of Bath at Longleat House until its sale at Christies in 2002, made by Santiago James Moore French of the Royal Exchange. Other examples of this clock have been recorded by Barraud and Lund...