Enamel Clocks

A very fine quality 19th century Louis XVI style gilded ormolu and champlevé enamel clock garniture, the four sided clock having four enamel col...

French Louis XVI style carved giltwood mantel clock French, early 20th Century Height 60cm, width 39cm, depth 18cm This elegant mantel clock is crafted from giltwood and designed in a classical style. The clock features a large circular enamel dial set within a giltwood drum. The drum is surmounted by an urn finial and is supported atop an entablature complete with floral motifs and large ball finials. The entablature is raised on four columns, each with a profile bust capital, which in turn are set on a base raised on toupie feet. The base also hosts a carved seated figure...

A very good quality late 19th Century French Louis XVI style Champleve enamel clock set. The clock having a classical scene of a cherub handing flowers to ...

Winged cupid with flowing robe, clock resting between wings and fabric, raised on bronze ormolu-mounted verde antico plinth. France, first half of the 19th century. Measures: H ...

FACTORY / HOUSE: Shreve & Co. STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Sterling Silver & Bronze / Kiln Fired Enamel CIRCA / YEAR: 1920's DIMENSIONS: 4 Inches X 4 Inch...

French Champleve Gilt Bronze and Enamel Clock Garniture three piece set . Includes clock and a pair of candlesticks Paris - France, c. 1880s candlesticks - h 9.75 in; diam 4.5 in cl...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...