Metal Clocks

A mantel clock in reddish- brown figured wood veneer with dore mounts in the baroque style. The gilt metal dial with enamel numerals, the case with dore scrolled acanthus leaf frame ...

Typical form with white enamel dial and reverse painted waist and pendulum door. With key and pendulum.

Bring color and character to a kitchen, hallway, or study with this elegant antique wall clock, crafted in France circa 1880. Shaped in a graceful oval silhouette, the clock features...

This wonderful modern masterpiece has been created using original antique and vintage elements. The beautiful silver and guilloche enamel case da...

24K Mini English William Congreve Rolling Ball Clock with Front Door & Storage Here is a beautiful miniature Congreve rolling ball clock. It's one of the smallest you can find. The ...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A Very Unusual and Quite Rare 19th Century French brown and green Patinated Bronze & Ormolu Mounted Rouge Marble Clock Garniture. This three-piece garniture set, comprising a centra...

Antique Victorian quality brass carriage clock Having a quality brass carriage clock with bevelled edge glass panels white enamel dial with Roman numerals original hands 8 day moveme...

A one of a kind english twin fusee carriage clock by James Moore French. The eight day movement has a large English jewelled level escapement with compensated bimetallic balance. The movement is wound and set through a round glazed door at the back and can be regulated from the outside as the fast/slow arm extends through the back of the case with rack striking the hour and half hour on blued steel gong with trip repeat. The gilt dial is signed as is th back plate of the movement, the centre of the dial is engraved with foliate scroll work with a roman chapter and breguet style moon hands. The unusual case of case bronze in a rococo revival style is finely chased with fluted sides flanked by Cariatids with a swag of fruit and flowers strung between them, th handle is formed of two dolphins. James Moore French was born in 1781 in County Antrim, Ireland. He was the son of Dr Hugh French and Sarah (née Arundel) French who married his father in 1763 and died in 1783, two years after James’s birth. In 1784, the year after Sarah’s death, Dr Hugh French married a widow named Judith Woodward who was to raise the young James French as her own, alongside his own and his half siblings. As a young man, James French moved from Ireland to London, where he worked with a relative, Peter Moore...

A rare example of a quarter chiming bracket clock made 1800-1805 by John Allam and Thomas Caithness with an eight day triple fusee movement chiming on ten bells. This clock has an un...

RECLAIMED DOUBLE SIDED FACTORY CLOCK An original vintage double sided factory clock reclaimed from the Westons Cider Factory in Herefords...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Seltene Sonenuhr der späten 60er Jahre. Holzkern mit aufgeschraubten Glasstrahlen (eine sehr ähnliche Uhr mit identischen und gemarkten Glasstrahlen wird als BACCARAT angeboten) auf ...

French Art Deco Ormolu (“Bronze Dorée”) Cartel Sunburst Wall Clock France, circa 1915 A striking Art Deco wall clock executed in gilded bronze (bronze dorée), featuring a sunburst ...

Jaeger LeCoultre - Atmos Clock with Square Dial Switzerland Gold-plated brass Year of manufacture 1980 Dimensions: H x W x D: 23 x 21 x 16 cm Description: Atmos VIII in matt brush...

C A R T I E R Art Deco ‘cubist’ travel clock in a gilded case resting on black block feet with black and red geometric line decoration. Painted dial with Arabic numerals signed ...

Antique Edwardian quality brass carriage clock having a quality brass carriage clock with bevelled edge glass panels, 8 day movement and a shaped carrying handle to the top In good...

Decorative wall clock with shaped octagonal form and fine marquetry inlay of vines and roses throughout. The silvered dial with Roman numerals shows notable age and patina. A round b...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

Vintage Italian Roman Style Ornate Mantel Clock with Two Figural Cherub Candelabras - Garniture Set The Vintage Italian Roman Style Ornate Mantel ...

Complete Vienna clock on six stocky ball feet made of alabaster, architecturally structured wooden case with fruitwood veneers in the shape of a portal, steps in front flanked by two...

The Froxfield clock in Elm. A unique limited edition floor clock created by Comitti designer Edmund Barker using selected timbers and contemporary styling. The design is inspired by ...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

Antique French cartel clock of Venus with cherubs French, Late 19th Century Height 120cm, width 55cm, depth 20cm This remarkable cartel clock is inspired by an 18th-century desi...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

Antique portal clock France marble, bronze, enamel Directoire around 1800 Dimensions: H x W x D: 46 x 28 x 14 cm Description: Antique portal c...

An early circa 1930s cyclometer model 975 electric digital clock housed in a wonderful silver architectural case with stepped chromed art deco accents and a marble base. Introducing...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

A fine William and Mary eight-day spring-driven table clock signed on the backplate, Isaac Lowndes Pallmall Court, c.1695. The elegantly proportioned ebony-veneered oak domed top c...

Vacheron Constantin Ref. 92115, an extremely fine and unique 18K pink gold pocket watch Swiss-made, October 2001, Height 9cm, width 6.5cm, depth 1.5cm Open: height 9cm, width 13cm, d...

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

Mystery 8 DAY Fusee Chain English Congreve Rolling Ball Clock Here is a beautiful mystery Congreve rolling ball clock. The original clock is invented by an English - Sir W. Congrev...

Vintage mantel clock resting within a gilded strut frame supphandsorting a circular dial surrounded by rope decoration. Silvered dial with o...

In 1975, the prestigious Swiss watch company Swiza chose this watch as the solitary protagonist of its magazine advertising campaign. You can see why. Modern and very unique, it features a nicely weighty gilt ball clock, an 8 day power with an alarm, that sits cradled on a very modern lucite base. The clock can stand without the lucite base, although you probably won't want to separate this duo. The sphere clock...

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

Pragotron PPH 413 is a type of indoor secondary clock. Was produced during the 1970s in former Czechoslovakia. Clock face with white plastic numerals is made from aluminum. Diameter ...

Beautiful brass carriage clock made by R&C Paris having decorated foliate scrolls all around the piece and standing on four winged beast figure feet, also having enamel dial with bla...

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs...

Just Hour Lavigne Movement From our Accessories collection, we are delighted to offer this French Art Deco Green Marble Clock. The clock finished in solid green and black marble fea...

Late 19th century ormolu and white marble mantel clock by Linke French, Late 19th Century Height 56cm, width 39cm, depth 25cm This impressive mantel clock commands attention with i...

A Fine Most Impressive French Gilt, Patinated Bronze and White Marble Mantel Clock by Lepaute of Paris, France. Of impressive scale and refined Neoclassical design, the circula...

Sèvres Porcelain with doré bronze clock. Clock is not running.

Art deco clock circa 1920 in wrought iron with floral decoration of very beautiful manufacture. Stamped Fag for Ferronnerie D'art des Galleries (Galeries Laffayette) directed by Marcel Vasseur. Marble base. In perfect condition. The movement works but has not been serviced. Height: 29cm Width: 40cm Depth: 14cm Weight: 10 Kg The Galeries Lafayette department store on Boulevard Haussmann in Paris was inaugurated in October 1912. Soon, it became the second most visited monument in Paris, after the Eiffel Tower. In 1922, the Galeries Lafayette department store opened the "La Maîtrise" applied art studios run by the decorator Maurice Dufrêne, who became its artistic director. The vocation of these workshops is to produce "works" (furniture, fabrics, rugs, wallpapers, ceramics, etc.) within the reach of all (well almost). The decorators and twin brothers Jean and Jacques Adnet, are among the first collaborators. An ironwork section is created under the name of Ferronnerie d'Art Des Galeries. Talented ironworkers participate, such as Marcel Vasseur, who created the ironwork of La Maîtrise Pavilion at the 1925 International Exhibition of Modern Decorative and Industrial Arts...

Silver Travel Clock 1700 Jean et Michel Vieusseux

A spectacular Art Deco illuminated clock featuring a sculpture of the water carrier / Nude with Vase. The exquisite geometric design of the clock c...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

Vintage Meridian wall clock designed by Arthur Umanoff for Howard Miller in walnut, circa 1970s. This piece features a coffin shaped wood case and an inset orange backdrop accented with a brass...

Enamelled brutalist copper clock by Franco Bastianelli for Studio Cellini, Laurana Rame D'Arte in Pesaro, Italy 1960s. Handcrafted on a copper base, enameled on fire with striking colors. The clock is working and in very good vintage condition. The back has a double hook to hang it on the wall or become a table clock...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

French Art Deco Marble Mantel Clock with Garnitures, UCRA, circa 1930 A striking French Art Deco clock set, circa 1930, comprising a central marble mantel clock and two matching garnitures. The architectural case is crafted from richly colored marbles in deep red, cream, ochre, and black veining, arranged in bold geometric patterns typical of the Art Deco period. The clock features a brass-framed dial signed UCRA and retains its original winding key. The set stands out as a highly decorative and sculptural ensemble, perfect for a mantel, console, or sideboard. France, circa 1920–1930 Signed on the dial: UCRA Original mechanical 8-day movement, key included Dimensions (clock): 14.2″ W × 12.4″ H × 5.9″ D (36 × 31.5 × 15 cm) – approx. 16 kg Dimensions (each garniture): 8.1″ H × 4.6″ W × 4.3″ D (20.5 × 11.7 × 11 cm) – approx. 4 kg each Total weight: approx. 24 kg Condition: Very good condition with minor wear and small edge chips consistent with age and material. French Art Deco · Marble Clock...

A stunning 19th century French Gilt-Bronze and Champlevé Enamel Four-Glass Mantel Clock, of exceptional quality, this richly ornamented four-glass mantel clock is housed in a finely ...

A Restauration Period Paris Porcelain Inset Ormolu Mantel Clock, Attributed to Jean François Denière, circa 1820 to 1830 A refined and architecturally composed Restauration period m...

Large Baroque style Austrian ormolu mounted musical clock Austrian, early 19th Century Total height: 211cm Clock: Height 135cm, width 86cm, depth 52 Stand: Height 76cm, width 81c...

Egyptian revival mantel clock & garniture set, early 20th century. Circular white sunken dial with black Arabic numerals and brass sunburst with two train movement set in a polished black slate and stepped rouge marble case...

In Renaissance style.

Wall clock produced by Gents of Leicester in England during the 1950s. It features a brown bakelite frame, an iron dial, an aluminium hands and a clear glass cover. The piece has bee...

Wonderful original 1950s Sunburst brass wall clock by Atlanta. Made in Germany. Very nice elaborate Mid Century design. Battery operated with Junghans clockwork mechanism. Dial witho...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very fine and highly collectable Antique circa 1895 French Automaton Industrial Locomotive moving gilt bronze clock sitting on top of a solid marble base with bronze feet These clocks vary massively in price, once recently sold for over £150,000 on 1stdibs, which was fully restored and look brand new. They have two mechanical winding features, one operates the clock and the other turns the wheels, I have wound the clock and it works as does the turning mechanism however both will need serving as they have sat for a very long time unused, I can have this done with a very fine clock restorer should the new owner wish I will include the full specification on this piece below which I found online, my example is in very fine order indeed, the sale includes everything pictured and that’s it, if you can’t see it it’s not included Dimensions Height:- 45cm Width:- 47.5cm Depth:- 23cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask c.1895 French Animated Locomotive Clock...

The Froxfield clock in Walnut. A unique limited edition floor clock created by Comitti designer Edmund Barker using selected timbers and contemporary styling. The design is inspired ...