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Material: Synthetic
1960s Lucite and Gilt Brass Sphere/Ball Paperweight Clock by Swiss Arthur Imhof
By Arthur Imhof
Located in North Miami, FL
1960s Mid-Century Modern lucite and gilt brass sphere/ball paperweight clock with 15 jewel wind-up movement by swiss clockmaker Arthur Imhof
By: Arthur Imhof
Material: brass, copper...
Category
1960s Swiss Mid-Century Modern Vintage Synthetic Clocks
Materials
Multi-gemstone, Metal, Brass, Copper, Zinc
Apollo Mantel Clock by Edvin Klasson
Located in Geneve, CH
Apollo mantel clock by Edvin Klasson
Dimensions: D 7 x W 16 x H 25 cm
Materials: coated and uncoated laser-sintered,nylon, vinyl wrapping film, dyed feathers, and, clock mechanism ...
Category
2010s Norwegian Post-Modern Synthetic Clocks
Materials
Other
$1,053 / item
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George Nelson Original Vintage Brass and Wood Ball Wall Clock
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Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio.
Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release:
“It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.”
Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach.
Can you tell me more about his clocks?
George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades.
While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature.
The clocks were designed and released in batches of 8 and were initially only given numbers for names. The Sunflower Clock was simply ‘Clock 2261’, the Flock of Butterflies Clock was 'Clock 2226’, and so on.
The Ball was the first clock designed by George and his team and it was followed shortly after by the Star, Sunburst, Spindle, Asterisk, Turbine, Flock of Butterflies, Eye and others. The clocks were purposefully abstract and were designed to complement the modernist furniture emerging at the time.
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