Tulipwood More Clocks

19th century Folk Art tall case clock from Luleå Norrbotten, Northern Sweden. Made in wood. Nice details and beautiful carvings. Beautiful handpainted flowers on the front. The M...

A 19th century Country French comtoise, or grandfather clock, with polychrome painted pine case and embossed brass pendulum. Seven day Morbier movement, professionally cleaned and in...

German Lenzkirch mahogany and carved ormolu cased mantel clock. The clock has wonderful carved scrolling feet supporting a rolled ridged stepped base decorated with leaf carved ormol...

Late 19th century mahogany chinoiserie tall case clock after Thomas Chippendale. Made around circa 1890-1900 in exacting detail to Thomas C...

A very good quality late 19th Century French Louis XVI style Champleve enamel clock set. The clock having a classical scene of a cherub handing flowers to ...

A very good quality 19th century French gilded ormolu, Champlevé enamel and onyx clock garniture. Having an impressive pair of six branch candelabra with white onyx urns, inset champ...

This French 19th century banjo shaped case clock is an eye catching piece in any space. Topped by an ornately carved cornice above the dial faced door. Supported by an intricate bras...

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

19th Century French Provincial Morbier Tall Case Clock, Vignaud Bonnet, having a circular dial with Roman numerals and a pressed brass pendulum, the case with painted floral decorati...

A 19th century Swedish long-case clock with dry-scraped finish. This antique clock from Sweden, circa 1820s, is topped with a subtly raised and carved crest, atop a round-shaped head...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (Inv. OA 5501 in Louvre Museum). 19th century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulator is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Folliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) The cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642-1732) and Charles Cressent (1685-1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben’s death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

A 19th century Louis XV style French walnut horloge de parquet, or tall case clock, in two parts. The body has a paneled door crafted from a single plank and carved with a rosette de...