Pendulum In Crystal And Bronze, Signed Lepaute à Paris, l Escalier De Cristal

Rare Chinese style clock in the shape of a covered pot, in porcelain painted in imitation of Chinese cloisonné enamel and decorated with a two-patina bronze mount. The dome-shaped co...

Beautiful Japonisme clock in openwork patinated bronze with gold and silver highlights in the shape of a pagoda, at the corners presenting stylized dragons above uprights imitating b...

Rare Japanese clock in double patina bronze with suspended dial. The portico and dial, with calligraphic Kanji numerals complemented by hands featuring an undulating dragon, are deco...

Amusing bronze with double patina and porcelain clock in the shape of a covered jar. This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...

White marble French mantel clock, the Carrara marble case carved with a figure of Minerva beside a pedestal, on Sienna marble base. Minerva ...

An extremely rare and important French Empire mantle clock signed by the master clock making dynasty of Jean-Andre Lepaute and his brother Jean-Baptiste Lepaute. The case, in the form of an antique portal...

This exceptional mantel clock was created in the early 20th century in France, inspired by an 18th century model by the famous metalworker, François Vion (French, 1737-1790). The clock’s design includes sculptures of the Three Graces holding up a spherical clock with a revolving, or ‘cercle tournant...

Signed H.P for Henri Pannier. Lovely hexagonal shaped planter in patinated bronze with gold highlights. Adorned on three sides with a dragon framed by a rhombus frieze on an openwor...

18th century Louis XVI ormolu and marble cercle tournant mantel clock by Lapaute French, Late 18th Century Height 39cm, width 18cm, depth 12cm Dating from the latter part of the 18...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...