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Jacques Adnet Art Deco Chrome Double Inkwell, France 1930s

$600
£454.44
€521.85
CA$840.86
A$914.53
CHF 484.66
MX$10,957.92
NOK 6,159.84
SEK 5,643.25
DKK 3,900.64

About the Item

French designer Jacques Adnet (1901 - 1984) designed this elegant Art Deco modernist chromed metal heavy desk accessory. The piece features a minimalist geometric shape double inkwell with a lid and glass insert. There is no visible maker's mark. The inkwell is in good overall condition, with light surface scratches throughout. One glass inkwell is missing. One screw is missing from the inkwell lid. Measurements: 12.63 in wide (32 cm) by 6.32 in deep (16 cm) by 3.57 in high (9 cm). Reference: Similar pieces from the Adnet desk collection are featured in the book "Jacques Adnet" by Alain-René Hardy and Gaëlle Millet. Copyright 2009. Les Éditions de l'Amateur. Check the last pictures for reference. Further reading: To understand Jacques Adnet's work, the wise collector needs to start with this primary information: Thus, the most reliable source of information, Jacques Adnet's own words, is regrettably lacking. Furthermore, it must be emphasized that Jacques Adnet's professional activity, even if it fascinated him, did not constitute an essential part of his life. Even if he was committed to it, decoration was only his profession, not his whole life, and unlike other fellow decorators, he deployed few means to extend his notoriety. The lack of documentation only increases the difficulty we experience in determining his intentions. There are, in fact, no or few archives, or more precisely, few of them have reached us. My father has not kept anything about the Compagnie des Arts Français, nor concerning his work, regrets Francoise Adnet (his daughter). During the war, the decorator bought a second home in Yvelines (a French department around Paris). He subsequently stored his archives in the attic: drawings, models, plans, and various documents. Unfortunately, this collection, which would have constituted a treasure trove of irreplaceable information for researchers, was almost destroyed by severe weather. To such an extent that today, we can consider most of the Compagnie des Arts Français archives to be irretrievably lost. Jacques Adnet certainly did not attach much importance to the past (and even less to posterity). In this, he was far from exceptional. Historians of the decorative arts of this period never cease to regret this lack of concern for heritage characterizing most of the actors who, artists at the same time as traders, intervened at the time at the crossroads of creation and production; the attitude of the Parisian department stores is symptomatic in this regard, which has unethically, neglected the evidence of the activity of their art workshops, and the Galeries Lafayette Department Store, unfortunately for us, had no more discernment than Le Printemps Department Store, so much so that the beginnings of Jacques Adnet are no better documented than the work of his maturity, the archives of La Maitrise also being practically non-existent. These shortcomings have the consequence that the various assessments of Jacques Adnet's work most often result from an interpretation of criticism, frequently leading to a typical incomprehension of his creations due to a lack of definitive writings. Extract from the foreword of the book by Alain-René Hardy and Gaëlle Millet on Jacques Adnet. Published in 2009 by Les Éditions de l'Amateur.
  • Creator:
    Jacques Adnet (Designer)
  • Dimensions:
    Height: 3.57 in (9.07 cm)Width: 12.63 in (32.09 cm)Depth: 6.32 in (16.06 cm)
  • Style:
    Art Deco (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    circa 1930
  • Condition:
  • Seller Location:
    Atlanta, GA
  • Reference Number:
    Seller: 9O034CFAIAD1stDibs: LU1632246125012

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