Antique Fayence Inkwell By Henri Delcourt, 1925s, France, Monogram HDV

Inkwell with Enamel Decoration Origin: France Material: Gilt metal with coloured enamel Date: Circa 1870–1890 Dimensions: H × W × D: 8 × 9 × 9 cm Description: Square inkwell resti...

Inkwell with Enamel Decoration and Onyx Plate Origin: Probably France Material: Gilded metal, champlevé enamel, onyx Date: Circa 1870–1890 Dimensions: H × W × D: 9 × 12 ×13 cm Des...

Exceptional beautiful inkwell by the french artist and sculptor Gaston Bigard. Signed at the lid "BIGARD". Ceramic with authentic craquele lacquer and a brass lid with beautiful Art ...

Chinese Porcelain Desk Vessel with Gilt Bronze Mount Origin: China, made for the European export market Material: Porcelain, overglaze decoration, glass liner, gilt bronze Date: Lat...

19th C. Antique Writing Stand Desk office Inkwell Center Piece Faience Porcelain . This beautiful garniture on a desk a table or a console will a...

Beautiful Antique 19th century painted and gilded brass inkwell. Floral motif with pink rose on handle. 'Made in France' on underside.  

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

A 19th century French inkwell in Champlevé enamel and bronze, mounted on an integrated tray with pen holders, in the Napoleon III style. This elegant desk accessory showcases the cr...