Italian Inkwells

Very precious Italian inkwell and signature pad with original paper. It's made with very rare portoro marble, particular for its black with brown and gold veins. Price is for the com...

Calamaio a forma di sarcofago in marmi pregiati, Roma, inizi del 19 secolo, epoca Grand Tour. I calamai a sarcofago del Grand Tour sono oggetti di lusso del XVIII e XIX secolo ispi...

Faithful copy of the writing service by the silversmith Pietro Rubini, Milan c.1775 The inkstand is composed of a shaped tray supported by 4 rocailles feet, modeled along the entire profile by finely embossed and chiselled volutes, leaves and shells. Above the tray are two ink holders and two pen holders with spiral workmanship and highly embossed vegetable decorations. A bell in the center of the object rests on a FASTIGIO pierced with flowering vines. By Fiorentini, Argenterie di Milano - Italy for ARVAL ARGENTI VALENZA Italian silverware...

This incredible Grand Tour inkwell relic takes the form of the ancient Tomb of the Scipios, a family of Roman war heroes and generals. Beautifully carved ent...

Thanks to 3D engineering and high precision manufacturing, the pen is assembled without using a single drop of glue. Transparency allows one not only to see the pen's mechanism but a...

Inkwell Calamelli workshop (attr.). Faenza, second half of the 16th century Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm) Weight: 0.800 lb (363 g) State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas. This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled. The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century. The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...

Available in multiple colors, this exclusive blue ballpoint pen captures engineering and aesthetic excellence. Its silhouette is made of perfectly interlocking parts with the use of ...

Capital-shaped white marble inkwell, souvenir of the Grand Tour, Roman workshop, late 18th century. Rome was considered the stop par excellence of the Grand Tour, as it represente...

The inkwell, rectangular in shape, was completely handmade obtained from a silver plate and finely embossed and chiseled with scrolls and flowers, typical of the Italian Baroque of t...

Glass inkwell attributed to a design by Max Ingrand for Fontana Arte Thank you

925 sterling silver inkwell in the shape of a cathedral. The tray plate has been completely hand-hammered from a raw 925 silver plate. The inkwell is raised from the support surface ...

Decorative XX century inkwell or box representing a silver plated hare.

Macchina da scrivere Valentine rossa Descrizione Macchina da scrivere Valentine disegnata da Ettore Sottsass per Olivetti nel 1968 e prodotta ad Ivrea. Qui presentato il primo modell...

After a 16th century Venetian design, winged putti with taloned legs support a turned bronze inkwell covered with a lid decorated with masks and garla...

Set of Lacquered Vellum Drawing Forms/Desk Accessories, Italy, 20th C. Elegant vintage drawing forms/desk accessories. The vellum that covers them encompasses many shades of forest ...

This ultra-elegant fountain pen is distinguished by a black body in UltraResin, a special material developed by Pineider mixing nacre and resin for enhanced weather-resistance and du...

Bronze inkwell is an original decorative object realized in the mid-20th century. A very elegant bronze inkwell decorated with a rampant horse. Includ...

This remarkable fountain pen features a stunning demi-transparent design with an ink level gauge printed on the side of the converter to keep it monitored. It is crafted of break-res...

Cut glass tortoise inkwell. Vintage turtle pillbox inkwell of cut glass carrying a mounted finial topped circular lidded well originally for ink but cha...

Italian 1920s Art Deco wrought iron and marble bird inkstand.

The 7 cameos of historical figures, fitted with 3 quill holders, 2 inkwells and a pounce pot. The underside of the lid is framed with a circular gouache dep...

Antique Italian green marble and 'lava cameo' inkstand Italian, 19th century Measures: Height 10cm, diameter 14cm This charming inkstand is crafted from green marble and gilt metal....

Italian Empire Silver Inkstand. Roman sterling silver inkstand of sober neoclassical form comprising double pots for sander and inkwell with acorn fini...

A cut crystal inkwell inserted in a massive architectural beige marble base. Probably Italy around 1890.

Crystal Inkwell with stopper is a beautiful decorative object. The Inkwell is hexagonal and it is in good condition. Light oxidation at the base of the stopper.

Vintage inkwell is a decorative object realized in the Mid-20th Century Silver and glass inkwell. Fair conditions due to the time

A pair of Italian marble ink wells with covered well and brass handle. Beautiful contrasting black, white, and red marbles make up the body and lid of...

Inkwell in yellow Siena marble with a gilt bronze bust of Napoleon at the top. On the sides, gilded bronze inkwells with finely chiseled fret decorations and leafy scrolls. The inkwe...

Silver inkwell is a vintage silver decorative object. A beautiful inkweel with stamps realized in the mid-20th Century. Don't miss this precious object

Elegant silvered bronze inkwell in the shape of a shell raised by four feet also made like small shells. The two cruets for the ink and the pen cleaner are in cut crystal with a bro...

A gray marble circular inkwell with marble stopper.

Of oval shape, with a cupid holding a bow and arrow riding aloft a gilt dolphin forming a lid over a compartment, flanked by ink and sand pots on masked plinths cast with Medusa masks and mounted to a lion's-paw footed oval galleried tray...

Modern style sterling silver inkwell. The inkwell was made from a raw sheet of 925 silver and hand-shaped to form a slightly rounded rectangle. A double-line border was soldered on t...

Italian Siena marble ink set, 19th century or earlier.

A good Italian Grand Tour model of a Neopolitan fisherman at his work. In ormolu and patinated bronze the oval base is naturalistically decorated with rocks and seaweed which the fis...

Incredible and big CANOVA inkwell in italian old bronze with marble base circa 1850.

Patinated bronze urn-shaped inkwell rests on three winged-horses evoking movement and action. The body of the inkwell is decorated with faces among garlands and the lid is topped by a seated putti holding fruitVenetian patinated bronze figural inkwell...