Wonderful Heart Shaped Oak and Silver Inkwell, Circa 1900

19th century marked Gorham inkwell with a sterling top and collar and handblown base. It retains the original handblown ink pot.

19th century turned treen lidded box made from mahogany. This piece was expertly hand turned in England and has a lovely finial over a domed top, which rests on a shapely hand turne...

Early 19th century oak candle box from England. This is a wonderful folk art box with loads of character! The top of the box is hand carved and has wonderful scalloped shapes and a central heart, surrounded by inlaid hears for added whimsy. The lid of the box is banded in boxwood and follows down to simple sides and the front panel is also inlaid in boxwood. There is a central frame in which is enclosed another lovely heart over a crossed knife...

Early 19th century oak candle box from England. The box has a wonderfully hand carved top with two opposing birds flanking a central pineapple. These symbols were also synonymous with welcoming guests into your home. Below the birds, there is a lovely small carved piece over the lid of the candle box. The lid is beveled around the edge for added design detail. The sides of the box are simple and the front has beaded edges, which flank the central panel. That is decorated with a crossed knife...

A romantic example of an Edwardian heart shaped trinket box made from a heavy thick piece of crystal beautifully cut in the ever-popular hobnail design with a star cut to the base. ...

Antique English Oak and Silver-Plated Inkwell, Circa 1890's.

American Edwardian Classical sterling silver jewelry box, ca 1900. Heart-shaped with hinged cover. Ornament includes garlands and ribbon applied to sides and cover and well as three ...

Heart-shaped spice. Silver. LOPEZ PORTER, Manuel. Spain, Granada, 1870. With contrasting and burilada marks. Silver spice rack in its color with a heart shaped shape and curved spout to one side that has two hinged lids and three spaces inside (partition above and not below); It is supported by three legs decorated with classicist elements and has, towards the side, a series of fine smooth moldings. The hallmarks are those corresponding to Granada, to date, and to the silversmith Manuel López Portero, who also worked as hallmarks in the city. The shape of the piece does not follow the usual prototypes of the time or of the school to which it corresponds (a heart shaped silver box...