19th Century Desk Accessories

Wonderful walnut writing box or slope Fabulous colour and figure in the wood Good condition Working secret drawers* Replaced leather With a key Free UK shipping *The drawers a...

An Exceptionally Fine Quality English Well Figured Solid grained Mahogany Officers Campaign Style Traveling Writing Slope of outstanding quality and unusually large size. First quart...

A Russian Neoclassical paper knife or letter opener in the style of a Roman gladius sword. The blade is made of polished nephrite jade stone. Pink guilloche enamel handle with gilt a...

Description: Silver table bell with reliefs and cutouts. Metal: Silver. Origin: Portuguese. Brand: javali II Title. Weight: 264.18 grams. Dimensions: 9.7cmx9.3cm. Content: 833/1000. ...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Wonderful writing box made from a tropical hardwood Fabulous shape and plain fluted carving. It gives it a modernist appearance Probably Sri Lankan 3 secret drawers* Replaced lea...

A late 1880s French silver-plated seal exhibiting early Art Nouveau influence. The elegantly sculpted handle features flowing organic lines and stylized foliate motifs characteristic...

An exceptionally fine early English Well Figured Solid grained Walnut Ladies or Gents Travelling Writing Slope of outstanding quality and compact proportions. Last quarter of the Nin...

Description: Stamp box in rosewood with raised silver applications and resting on four feet. Metal: Silver. Origin: Portuguese. Brand: javali II Title. Weight: 148.09 grams. Dimensio...

Circa 1870s English Gothic Revival writing slope desk box. A letter box is flanked by the original brass collared & hinged inkwells in brass surrounds (the hinges now a bit loose fro...

Antique Victorian Hand Crafted Desktop Writing And Reading Stand. The Stand Is Fitted Additionally With One Brass Inkwell Pivotable Pen Stand Brass Perpetual Calendar. Sold With A...

Very Rare and Elegant Antique Baccarat Glass Paperweight with complex Millefiori, made in France probably during the 1870s. (Not signed) Beauti...

Superb Rare Polished Victorian Bamboo Wood Ladys or Gentlemans Walking Stick of outstanding quality by Charles Cook who also worked for renowned Stick makers Brigg Sons in Lond...

Elegant French bronze letter rack, late 19th century. The openwork design features intricate Gothic Revival motifs with stylized foliage, quatrefoils, and decorative details, complem...

A rare antique French glass paperweight containing a close pack mushroom design by renowned glass makers Baccarat and dating from around 1850. The large and heavily made paperweight ...

Classic 1890s black forest Brienz wood carved inkwell in form of a Bear. Nice addition to your room or just for use it on your desk. Made of hand carved wood and glass eyes. Found at...

Empire Inkwell on Circular Base Origin: France Material: Gilt bronze (Ormolu) Date: Circa 1800–1810 Dimensions: H × D: approx. 16 × 19 cm Description: Classical-style inkwell in t...

Beautiful metal tray or catchall to hold quills. Made of cast Iron, has some nice patina, but this is old-age. A beautiful piece for your desk or any room. It was made for the 100th ...

Description: Silver letter opener with coin relief on top and cross on the blade. Metal: Silver. Origin: Portuguese. Brand: boar II Title. Weight: 62.19 grams. Dimensions: 22cmx...

Elegant Antique Victorian Rosewood Ladies Writing Slope With Inlaid Brass Red Leather Interior With Brass Swing Carry Handles Finished With A Tooled Red Leather Interior C...

A Stunning Victorian Campaign Writing Slope With A Decorative Brass Trim, Brass Carry Handles Finished With A Gilt Tooled Racing Green Leather Interior Item will include new notepa...

Large Victorian inkwell by William Comyns. This has a repousse sterling design over a heavy crystal inkwell. The hinged lid is monogrammed with a JP. The piece is dated 1895.

Beautiful 19th Century Rosewood Writing Slope Decorated With Stylish Inlay Throughout. The slope features a well executed fitted interior. Interior when folded out, is finished wit...

Antique British Military Campaign 19th Century Burr Walnut Brass Bound Writing Slope With Ebonized Trim. The Interior Features a tooled Blue Leather Scriver, A Single Glass Ink...

Fine quality antique Victorian French freestanding inlaid boulle desk set having a quality ornate shaped brass handle flanked by a pair of original cut glass inkwells with inlaid bou...

Cool Ink Well designed as a Godin iron stove from the late 19th Century. Made in France in cast iron and painted with a beautiful patina. Probably an advertising item...

Massive Art Nouveau Bronze Poseidon Inkwell, by Hans Müller Austrian, circa 1900. Behold the Art Nouveau Bronze Poseidon Inkwell, a masterpiece attributed to the skilled hands of Ha...

Description: Silver fountain pen with triple gold stripe and pine cone-shaped pommel. Metal: Silver. Origin: Portuguese. Brand: Javali II. Title: Weight: 35.76 grams. Dimensions: 19c...

Very Stylish Fine Quality Polished Rosewood Wooden Lady’s or Gentleman’s Walking Cane of substantial quality and good weight very suitable to use as an everyday stick, with an elegant decoratively carved classical Cow Horn L shaped handle above a finely repousse chased gold plated collar with a cartouche engraved with H C. Last quarter of the Nineteenth Century, of English origin Condition: Good condition with nice patination, few small character dents to gilt mounts, complete with its original firm fitting solid steel and polished brass ferrule which is slightly worn. Nice straight stick in wonderful condition. Length: 32.75" (89cm) Width of handle: 4.25" (10.75cms). Location: Dublin City, Ireland. Affordable fixed price Worldwide Store to door Shipping offered by Seller. *TIP: When deciding to purchase a Walking Stick on-line, always check the dimensions especially its length. Many antique sticks...

A refined antique inkwell, with two inkwells made of bronze, including glass cups. The base is made of veneered marquetry wood with a diamond pattern, framed in a bronze rim, resting...

Empire Gilt Bronze Sphinx Paperweight on Marble Base, France, Early 19th Century A charming Empire-period paperweight featuring a finely cast gilt bronze sphinx resting on a rectan...

Louis XV style inkstand with chinoiserie design, lacquered top. This rare and stylish inkstand is a work of the house Boin-Taburet, goldsmith in Paris. This impressive size inkstand...

Placido Zuloaga, An extremely rare Spanish gold and silver damascened window frame, in the Alhambra / Islamic taste, circa 1880. The interior is lined and fitted with an orientalist artwork throughout. Signed PZ on the reverse. Placido Zuloaga was a renowned Spanish metalworker and damascene artist known for his exceptional skills in working with gold and silver and for creating intricate and ornate designs on metal surfaces using a technique called damascening. One of Zuloaga's works is this rare gold and silver damascened frame that he created in the late 19th century. The frame is decorated with intricate designs in silver and gold, creating a stunning contrast that is characteristic of Zuloaga's work. The frame is a remarkable example of Zuloaga's artistry and skill, as well as his mastery of the damascening technique. The technique involves inlaying silver or gold wire into the surface of the metal, creating intricate and detailed designs that are both beautiful and durable. Zuloaga's work was highly sought after during his lifetime and is still highly valued today. His pieces are considered to be some of the finest examples of damascene artistry in the world, and his legacy continues to inspire and influence metalworkers and artists today. His works are in private collections and in museums worldwide. Comparative Literature: James D. Lavin, The Art and Tradition of the Zuloagas, Spanish Damascene...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Stunning and Rare Example of a French Patinated Bronze Architectural Style Grand Tour Regency Period Double Inkstand of rectangular outline and compact proportions. First quarter of the Nineteenth Century. This stunning offering is modelled as an ancient Gothic Style Religious building ending on a well veined Sienna Marble platform base. The Ormolu dome top finial covers complete with their internal bronze linings. An early ormolu and Sienna Marble Watch stand is included. Condition: Good condition, original good surface patination, small repair to corner of marble base, see image. Baise underneath has been replaced, nicely done. Back and front views are similar, no visible foundry marks. Height: (inkstand) 5.25" (13.5cm). Width: (at base) 7" (17.5cm). Depth: (at base) 4” (10.25cm). Location: Dublin City, Ireland. Affordable Fixed charge Worldwide Store to door shipping offered by Seller. Please take time to scroll down below and click "View All From Seller" or favorite our Shop PATRICK HOWARD ANTIQUES...

19th Century Set of Brass Scale Weights, France A charming late 19th Century set of weights in brass, housed in their wooden stand. Weights such as these were used with different sc...

A fine ornate antique French Louis XV style gilt bronze photo frame with back easel stand, Napoleon III era, circa 1880. Richly decorated with neoclassical style motifs such as faces...

Antique dark birds eye maple writing slope with brass M monogram plate on top with green felt lining and multiple interior storage compartments finishe...

A fine quality brass inlaid Campaign style traveling desk with a recessed brass handle engraved with the name of its owner, Anne Orten. The piece opens to reveal a velvet lined writi...

This is a stunning decorative antique Italian Grand Tour Vatican Micro-Mosaic inset black marble desk weight, in the form of a miniature table, circa 1870 ...

Very Unusual Fine Quality English Ladies or Gentleman’s Walking Stick or Dress Cane of outstanding quality and stylish design, last quarter of the Nineteenth Century. Sterling Silv...

Beautiful Late 19th Century Campaign Brass Bound Coromandel Writing Slope With Black Tooled Stylish Inlay Throughout. With A Secret Compartment The slope features a well executed fi...

Calamaio a forma di sarcofago in marmi pregiati, Roma, inizi del 19 secolo, epoca Grand Tour. I calamai a sarcofago del Grand Tour sono oggetti di lusso del XVIII e XIX secolo ispi...

Set of old books dating from the 19th century. From an old protestant library near Le Havre in France. These books are entitled "Journal des missions Evangeliques» with Map (Mission...

Stunning French Sevres Soft Paste miniature hand decorated Rich Celeste Blue Porcelain Urn of exceptional quality. French ormolu circular hinge lidded trinket box with beautiful ce...

Italian original painted plaster sculpture of a young Roman woman in nice gilt dress and flower wreath. This well sculptured smiling lady cou...

An assembled set of 7 brass bell form weights, c.1860. 4lb, 2lb, 1lb, 8oz, 4oz, 2oz, 1oz. Whitehall Antiques is a family business that has been a major source for the selective buye...

Black painted cast iron dog nut cracker. The condition is very good and in working order.

English Victorian-style receptionist bell with a square black metal base supporting a brass harp holding the bell.

Victorian Period, sterling silver and turquoise blue guilloche enamel letter opener/paper knife, Sheffield, England, year-hallmarked for 1866, R. Martin and E. Hall (doing business a...

The paper knife or letter opener was originally used for cutting open the pages of hand-produced books where the folding of the printed sheets creates some closed edges that require ...

19th Century Ammonite Fossil Paperweight on Limestone Base A beautiful and highly evocative 19th-century paperweight, featuring a finely polished ammonite fossil mounted on a solid ...

A large and impressive early 19c French bronze and gilt bronze inkwell, the central chased handle with a pair of candle arms terminating in lion masks, 2 tray wells either side of a ...

Dimensions - H: 7 1/2in W: 10 1/2in D: 7 3/4in This Late 19th Century French Louis XVI Style Champlevé and bronze Ormolu Inkwell is truly a sight to be seen! If we take a look at t...

19th Century Polished Ammonite Paperweight A beautiful and naturally sculptural 19th-century paperweight formed from a finely polished ammonite fossil. The elegant spiral—shaped ove...

Antique 19th C. Ottoman Turkish Brass Inkwell Qalamdan with Arabic Calligraphy Writing.An antique 19th century brass decorated Islamic Turkish Qalamdan.An antique Turkish Brass...

Exceptional antique Inkwell with rich bronze ornaments and three porcelain vessels. The ink jars are painted in a beautiful rich green and embellished with gold colour. France, 1839. On the lid is written "ENCRIER BOUQUET" "MEDAILLE D´ARGENT...

This is an antique ornate letter rack. An Italian, gilt metal stationery stand or desk tidy, dating to the late Victorian period, circa 1900. Striking Continental taste with classic...

A late 19th century silver plate mounted horse hoof inkwell, the lid and horseshoe of silver plate, the hinged lid opening to the glass inkwell wit...

A 19th century Middle Eastern, Asian brass decorated Islamic Moorish Qalamdan. The Qalamdan is an inkwell in solid brass. It consists of an inkwell and a pen compartment of typical tubular form with an interior cavity to store a reed pen. Attached to the body is an inkwell with engraved designs with a shell style cover. The piece measures 9 1/2" inches long x 2" inches high x 2" inches deep. Great brass decorative Islamic Metal...