19th Century Decorative Objects

Luxury at its finest, high-end glass sculpture by Daum, France. The sculpture is a dolphin. The dolphin, made from clear crystal glass, is in motion on a sleek chrome standard. Fou...

Long ago, this elegant rosewood box was used by a Qing-dynasty lady to store her favorite pieces of jewelry, each drawer filled with jades, pearls, coral necklaces, and hair pins. Th...

Magnificent historicism clock or mantel clock from circa 1890 On the pedestal there is a figure of a noble lady with a diadem and book at a Gothic table, with writing utensils on it...

A sizable antique copper pot, equipped with a forged iron handle that can be used to suspend the vessel over a fire. The pot has a hammered exterior that g...

Charming 19th century metal doorstop moulded as ram Lovely crusty patina Measures: length 26cm, 10" height 18cm, 7" depth 5cm, 2" The ram represents the power to penetrate, overcome, and achieve. It reflects the assertion of strength in creative ways to achieve a breakthrough. It is also associated with sacrifice. The ram serves as the icon for action, the fifth element...

The anatomical sculpture, cast out of plaster, depicts a flayed man standing over a rectangular base in a classical pose with lifted arm. Anatomical study purpose. Italy circa 1880.

Beautifully executed hand carved marble buddha head fragment of Quan Yin. The youthful face is peaceful and serine framed by an intricately carved headdress. A striking art object wi...

An Exceptional French Japonisme Ormolu and Champlevé Enamel Five-Piece Clock Set, In the Manner of Edouard Lièvre, circa 1870, Paris. This extraordinary French Japonisme clock set, ...

Pair White Neoclassical Campagna Vases. Pair of Paris Porcelain all white glazed porcelain two part vases with double mask handles. France 1810. Dimensions: 9.5" diameter x 13.5" ...

This is an antique decorative planter. A Chinese, bronze relief jardiniere in Qing dynasty taste, dating to the late Victorian period, circa 1900. Wonderfully eye-catching example o...

A superb nineteenth century eight day grande sonnerie carriage clock of typical size, c. 1870. The gilt-brass gorge case has glass panel...

A wooden bowl produced in Sweden, 19th century.

For sale is a fine quality Victorian ebonised bracket clock by Barraud & Lunds, London. The clock features original ormolu finials and mounts throughout, having gilt spandrels, an engraved silvered dial with Roman numerals, original hands and classical gilded corbels and gilt ormolu feet. The clock face is signed Barraud & Lund, London 5725. The clock facer is flanked by two gilt caryatids. The clock also retains its original gilded side frets The clock runs on a chain driven triple fusee movement with 8 bells...

An antique Japanese, late Meiji period, enamel over gilt copper vase. with silver wire The unusual shaped vase has a long fluted neck. The ware is enameled with a polychrome image o...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly s...

Presenting a gorgeous French 19th century Samson Paris Porcelain Trinket Box probably by Edme Samson. Marked on the base with “Made in France” and unmistakably in the style and manner of Samson. The lid features hand painted floral bouquets on an ivory porcelain background with gold edging, surrounded by a sky blue lid with gold web or crackling effect.. The lid is hinged and the lid and base are edged in floral gilt metal mounts with Fleur De Lis clasp. It sits on 4 gilt metal or ormolu feet. The sides are likewise hand decorated. This wonderful antique hand painted box is just bursting with History. Inspired by Edme Samson of Samson & Co., Paris. we believe (based upon the markings and natural aging) that it was made between 1880– 1890 in France and was meant to resemble an antique of a much earlier period. It is very similar to Sevres pieces with it’s color, decoration and design. Samson specialized in reproducing antiques from the 1600 and 1700s. One of his most interesting works was his Heraldic or Armorial pieces. With this medium sized box, he was not only copying the larger porcelain caskets or coffin boxes...

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

An exquisitely carved Italian antique alabaster centrepiece vase or urn circa 1860. The detail of this beautiful urn offers a glimpse into the styles of 19th century Italy, the body finely carved with masks and foliage to either side between entwined handles reminiscent of the famous Warwick Vase. It stands on an equally as decorative socle base carved with leaves and an egg and dart trim. With its smooth and somewhat translucent appearance, this antique alabaster vase...

FREE WORLDWIDE SHIPPING Exceptional Hand Carved Horses Head Tobacco Jar From our Boxes collection, we are pleased to offer this incredibly well carved French Tobacco Jar in the for...

Pair of antique Victorian brass candlesticks having circular tops above a turned shaped column raised on a stepped shaped base. Measures: 23 x 9 x 9.5 cm. Date 1860.  

Leon Pilet (French, 1840-1916) "Cleopatra" Patinated and Gilt Bronze Sculpture, late 19th century, the seated queen holding a fan, signed to urn, on a Portoro marble plinth. 12.5" H...

Chinese scholars and connoisseurs prized the organic form of burl wood and the way it referenced the wonders of the natural world. This petite burlwood vessel dates to the mid-19th c...

Small 19th century brass preserving pan or cooking pot A superb piece of social history and a must for the kitchenalia, collector, this is a 19...

Elegant 19th century French centerpiece, finely cast in bronze with gilt patina, featuring a putto holding a beautifully cut crystal dish. The richly decorated base shows intricate s...

An exquisite example of Burmese artistry, this palm-sized container dates to the late 19th century and was likely originally used as a betel box (kun-it). A blend of betel leaves, ar...

Dutch Colonial ebony box with silver mounts, large silver hinges and the original steel lock and key. This rare box was likely made in the Dutch East India possession of Sri Lanka, o...

Pair Of Antique Bronze, Marble & Crystal Single Candle Candelabras C1890 Measures - 10 1/2" x 4 1/2" x 4 1/2" An antique pair of candelabra, circa 1890, offer foliate cast bronze c...

English navette form mahogany & riveted brass banded peat bucket with the original mounted brass handle. Early 19th century.

Outstanding Richard Ginori porcelain centerpiece compote, circa 19th Century. This rare and whimsical antique compote is hand painted with a "Bacchanalian" motif and a polychrome gla...

Unusual paper knife in solid brass. Its top depicts a Celtic cifer with symbolism of both love and power. It was made in Europe during the 19th century. It has indistinguishable mark...

Amazing Antique fine quality Japanese 19th century bronze vase, circa 1860 with exquisite decorations of raised bronze crafted dragons and birds and many other original meiji decorat...

Antique French Louis XVI Carrara Marble & Bronze D'Oré 3 Piece Garniture Clock Set, Circa 1890. Size 8 key. Clock: 17 1/2" H x 8 1/4" W x 6 1/4" D 2 Candlesticks: 14" H x 8" W x 3 3/...

A set of antique iron cannonballs originating from an old Norwegian fortress, dating to the 1800s. Mounted on custom-made metal stands for display. Surface wear and patina consistent...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

Sèvres Porcelain with doré bronze clock. Clock is not running.

High quality English mahogany and brass fine jewelry box that was likely used for stationary as well. Attention to detail, originality and surviving k...

English brass skeleton clock under original glass dome with a polished steel roman numeral dial, fuse chain movement, and affixed to an oval carved wood felt base with four bun feet....

A lacquered box on stand decorated in the chinoiserie taste, featuring gilt landscape and figural scenes on a deep red ground. The box rests on a fitted base with a single drawer and...

Egyptian king and queen patinated spelter metal busts after the celebrated French sculptor, Anatole J. Guillot (1865-1911). Female signed J. Guillot 1876.

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

This is a fine antique pair of French Grand Tour patinated-bronze sculptures of the Marly Horses, Circa 1850 in date and signed to one base. The original Marly Horses were commissi...

Large Chinese hand painted porcelain jardinière urn and charger Porcelain is decorated with beautiful scenes of cranes, birds, flowers and acanthus leaves. Colors are green, red, ...

Important pair of decorative sculptures in white biscuit , featuring two women draped in the Antique style, accompanied by winged putti. One, holding a large sunflower, raises her ar...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

Bronze Alloy sculpture "Fée Aux Fleurs", Signed L. Moreau, France, Late 19th Century.

This Grand Tour bronze model of the Medici vase is beautifully cast and patinated. It features a deep frieze with a mythological bas-relief, the fluted loop handles rise from sayers'...

Decorate a coffee table or a shelf with this elegant and colorful casket. Crafted in Italy circa 1880, the Venetian box stands on heavily carved feet decorated with gilt acanthus lea...

A mid-late 19th century antique Italian alabaster sculpture depicting Leda and the Swan mounted on a green marble base. This figure of neoclassical interest is brilliantly detailed, ...

A Remarkable Pair of Ormolu-Mounted Marble Candelabra by Sormani of Paris After the originals by Jean-François Lorta (1752-1837) Residing at the Louvre Constructed from the unusual...

A wonderfull and high quality painted Japanese imari punch bowl, with an unusal scene. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: 19th cen...

Rare antique 19th century table clock in ormolu gilt bronze. Characterized by a refined decoration chiseled in bronze, in the upper part a s...

This lovely bronze is the epitome of art nouveau movement. The stylized nature themes, flowers, movement, and a young girl who has butterfly wings and is holding a bird in her hand....

Dimensions - H: 29 1/2 in W: 12 3/4 in D: 12 3/4 in A magnificent pair of 19th century French Louis XV style bronze mounted candelabras, masterfully executed by the esteemed foundry Susse Frères, and mounted on rare and highly decorative Breche Violette marble bases. These opulent candelabras exemplify the exuberance, asymmetry, and fluid ornamentation that define the Rococo revival period, interpreted through the refined lens of 19th century French decorative arts. Each candelabra features six scrolled candle arms with finely cast gilt hand chiseled bronze nozzles and bobeches, emanating from an ornate central stem adorned with acanthus leaves, rocaille flourishes, and naturalistic vines. The gilt bronze (ormolu) is of exceptional quality, showcasing the deep chisel work and intricate detail that distinguishes Susse Frères bronzes...

Traditional Chinese Rose Canton porcelain vase. Made in the 19th century. Dimensions: 14"H x 7.5"D

Impressive pair of large neo-Gothic church candelabras with eleven candle holders on three levels, in finely cut brass and bronze, decorated with leaves, flowers, scrolls, lily flowers and glass beads. Lion claw feet. In the spirit of Viollet Le Duc...

This is an ironstone Vase in the blue Hawthorne and fence and bowl pattern, made by Mason's Ironstone of Lane Delph, Staffordshire, England, during the first half of the 19th century...

Qing dynasty an unique antique important rare Chinese enameled Famille rose porcelain bowl with mark DaQingDaoGuangNianZhi , hand painted. ...

A fine and impressive antique Victorian English sterling silver vesta case in the form of a horseshoe; an addition to our equestrian related silverware collection This fine antique Victorian sterling silver vesta case is realistically modelled in the form of a horseshoe. The surface of the body is embellished with embossed decoration reproducing the details of the horseshoe accented with bands of bright cut engraved undulating decoration. This fine Vesta case is fitted with a functional revolving rowel enhanced spur wheel striker to one side. The plain shaped hallmarked hinged cover features a subtly curved thumbpiece which secures to the opposing hinge of the hallmarked serrated panel/match striker. Condition This antique horseshoe...

19Thc Hand carved dough bowl with handles and found in New England. This bowl has an amazing patina and surface.

An antique Japanese, late Meiji period, enamel over brass vase. The vase has an amphora shaped body and a narrow fluted neck. The ware is enameled with a polychrome image of a bird i...