KPM porcelain plaque of young boys eating fruit, circa 1880

An impressive pair of 19th century oil on canvas trompe l'oeil paintings depicting cherubs playing on the back of a goat and hunting in the garden.

A fine quality pair of 19th Century Austrian, KPM porcelain plaques, each depicting pretty young maidens under a tree, mounted in carved scrolling gilt wood frames, set on a velvet b...

A classical 19th century bronze group of two young putti playing on the ground amongst grape vines.

A fine quality late 19th Century Vienna porcelain plate, hand painted, depicting the 'Birth of Adonis' having classical motif decoration to the boarder with gilded highlights. Batch...

Italian Renaissance style (19th Cent) oil painting of 2 boys and dog with basket of fruit in a gold carved frame (AFTER Bartolome Esteban Murillo)

A charming oil on canvas genre painting depicting the innocence of youth, the subjects of this scene are two young children on a cherry farm. A young girl with light brown hair in pi...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

A Very Finely Painted Late 19th Century Berlin K.P.M. Porcelain Rectangular Plaque Depicting infants and Cupids playing with a lamb, surrounded by an array of fruits. After the fam...