20th Century Nicole Noailles Lascaux Ceramic Sculpture

Fantastic 20th Century Javanese biomorphic sculpture. This beautiful, hand-carved sculpture depicts waves and floating figures with wonderful movement throughout. It is composed of...

Modernist English bronze maquette for a large scale bronze sculpture. 'One,Too' by William Harling, MRBS Dip.AD (B 1946). From an edition of 9. Circa 2006.

Plaster sculpture of a naked young boy holding fishes aloft. This charming sculpture is believed to be a maquette of John Hodges' fountain sculpture in Braintree, Essex. A maquette is a three-dimensional object made as a preparatory study...

A late 18th Century French terracotta finial in two parts. The base a Neo-Classical urn adorned with garlands supporting a top section of flames.Minor losses commensurate with age.

Beautiful ceramic sculpture designed by Giacomo Onestini made in his own atelier in Italy in 1970. It has a combination of matte and shiny glazed surfaces. The back and sides of the sculpture have a textured surface with shades of gray, green, and sometimes turquoise. On the front, there's a carved-out section that's smooth and glazed with red and gold hues. It's a very appealing and intriguing piece. You can find the artist's signature, "Onestini," on the side of the sculpture. This piece was created in the artist's personal studio. Very nice large sized, heavy piece and in excellent condition. After graduating as a master ceramist, Onestini moved to San Marino where he found employment at the "Marmaca" ceramics factory. Around the end of the 1950s, he moved to Salerno and began working with the "Ernestine...

Abstract Plaster Sculpture by an Unknown Dutch Artist. Holland, circa 1970.

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Modern abstract marble sculpture with an exotic look.