Antoine Poncet Sculpture

A Gilt Bronze sculpture of a abstract creature by sculptor Antoine Poncet. This piece is labeled AP 3/6 on the underside. (Picture 10) Poncet is a Swiss artist born in 1928, Son o...

This vintage early 20th century French sculpture of a horse was created by Antoine Bourdelle (1861 - 1929). The stunning hand crafted work of art exemplifies the beauty of this majes...

Antoine Louis BARYE (1796-1875, France) : "Pheasant" Dark nuanced green patinated bronze sculpture of a pheasant standing up End of XIXth cast Dimensions Height 12 cm x Width 19....

Reclining Bear, Bronze Sculpture After, Antoine-Louis Barye  20th Century, 1960s Posthumous Casting This whimsical bronze sculpture of a reclining bear is a 20th-century posthumous ...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

Sculpture by the Lebanese artist Antoine Berbery, consist of black plaster personalizing a standing man in black color. Antoine Berbery is a well-know...

Magnificent high quality reproduction of Antoine-Louis Barye‘s famous Python Killing Gnu, cast in bronze with a 1” black marble base. This piece it’s large and heavy and would be and...

Bronze Sculpture of a Whippet Dog by Antoine-Louis Barye After Antoine-Louis Barye France; ca. 1880 Bronze Approximate size: 5.25”H x 7.25”W x 4”D The 19th-century French sculptor...

Antique (late 19th century) patinated bronze bust of Mignon after the original model by Eugène Antoine Aizelin (1821-1902). 22 by 14 by 11 inch...

Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique. This incensed Barye, as he insisted a mate must be sculpted to oppose Lion Assis...