Carved sandstone abstract monolith sculptures on granite plinth - signed

Abstract and Figurative Marble Hand-Carved Sculpture on a Granite Base Offered for sale is an abstract and figurative hand-carved marble sculpture raised on a granite base. The scu...

Bronze abstract sculpture with applied verdigris patina mounted to a thick granite base. Signed by the artist. Dimensions 8" width x 3.25" depth x 13.5" height. Condition Good vint...

Originally an architectural for the roof of a Belgian building, this granite finial dates to the 1700s. The foliate finial has deep carvings, making it presentable from all sides. La...

Sinuous modern carving of a Mesoamerican. Aztec? Mayan? Striated sandstone, circa mid-20th century. Not signed.

Beautiful hand carved sandstone of half nude sculpture of standing women in Classical Greek style an attractive outdoor sculpture or as an indoor exceptional object of art.     

Marble bust sculpture on granite base signed Simon.

Vintage Glazed Black Granite Abstract Sculpture on a Black Granite Square Base

Brutalist bronze ram sculpture on Lucite plinth signed M. Katz.

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...

An imposing abstract sandstone sculpture, likely made in Brittany (France), as evidenced by its characteristic texture and deep hues. Despite its considerable size, this piece exude...