Contemporary Alabaster Sculpture

Uniquely shaped sculpture. Hand-carved alabaster sculpture. On display in our NY Showroom

A circa 1920 Italian carved alabaster Venus. Measurements: Height: 20" Diameter: 6"

Alabaster Sculpture of a Dancer, early 20th century, top and skirt with beaded trim and remnants of black paint, on base with floral tile floor design, apparently unsigned. 26" H x 1...

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

A fine quality alabaster sculpture of cupid with a butterfly. Nude figure of cupid with a butterfly, sitting on a rock, his bow and arrow on the ground with the flowers. Artist: After William Adolphe Bouguereau...

Signed Abstract Pink Alabaster Sculpture, organic freeform shape, with artist's monogram "ES" to reverse, mounted on rotating black composite base. Overall: 13.5" H x 18.5" W x 8" D....

A substantial organic modern alabaster marble sculpture, circa mid-20th century. This organic modern alabaster marble sculpture is all neutral tones w...

Well carved and polished alabaster abstract figural sculpture with Native American iconography relating to the Iroquois False Face Society. Signed lower le...

Alabaster sculpture designed and produced by Mario Urbani in 1930, Volterra. Single piece. Biography Urbani, Mario, architect, painter, artist, (Rome 1885 - Pesaro 1961), SIUSA Mario Urbani studied at the School of Fine Arts in Rome and attended the Architecture Course, graduating in 1909. He worked for three years as a technical draughtsman in the State Railways, then attended the Higher School of Painting of Aristide Sartorio, with whom he made, in 1910-11, some frescoes in the Parliament Hall that celebrated the history of Italy, whose sketches were exhibited at the Venice Biennale in 1909. In the same years he worked alongside some Roman architects: Bazzani, Calderini, Garroni, Pazzi, Pio Piacentini, Pistrucci and Quaroni, contributing to the design of the pavilions for the Universal Exposition in Rome, in 1911, on the occasion of the Fiftieth Anniversary of Rome. In that year, after winning a national competition, he furnished the courthouse of Rome and also executed some frescoes, still extant, at the Viminale and the Ministry of Agriculture, Industry and Commerce inspired by De Carolis, artist present in Rome at the end of the nineteenth century, beginning of the twentieth century. Soon after Urbani began his career as a teacher in Sant'Angelo in Vado, at the Zuccari School of Art. In this town he made late decorations - liberty in a mill, a monument to the fallen, a large copper plate...

This vintage hand carved late 19th century Italian alabaster sculpture is signed E. Fiaschi. This exquisitely rendered depiction of a fashionable lady is presented wearing a tight se...