El Nahual del Mono Bronze Sculpture by Leonora Carrington PA 2007 Certificate

Cast and Patinated Bronze Mono Sculpture by Eichkorn Dimensions: W 19 x D 19 x H 9 cm Materials: cast & patinated bronze. Mono is a sculpture that explains nothing – and moves all t...

David del Donatello sculpture in bronze. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST BY SENDING AN EMAIL. ULTERIORI FOTO, INFORMAZIONI SUL LO...

En El Fondo Del Mar by Pepe Valenti Dimensions: D 100 x H 250 cm. Materials: Chrome-plated stainless steel. Found in the deepest parts of the sea, a spac...

Expressive and evocative bronze sculpture by Francisco del Toro (Mexican, Guerrero, 20th century), signed Del Toro ’92. This one-of-a-kind piece showcases del Toro’s mastery in merging organic abstraction with emotional figuration, embodying both movement and introspection through its fluid, surreal form. The elongated figure, perched on a solid stone base, reveals a captivating dialogue between smooth, polished surfaces and rugged, textured elements — a hallmark of del Toro’s sculptural language. The patinated bronze transitions in tone from deep forest green to earthy bronze, emphasizing the interplay between form, texture, and light. Del Toro’s work often explores the human spirit’s resilience and transformation, with this particular sculpture exuding both strength and vulnerability. The head, seemingly emerging from raw material, evokes a timeless and almost mythological presence, while the sensuous curvature of the body connects to themes of fertility and creation found in Mexican modernist sculpture. An exceptional example of Mexican contemporary bronze art, ideal for collectors of Latin American sculpture...

Frank Gehry Twisted Bronze Sculpture. Stacked, layered, swirls, and twisted design. 9 3/4" tall x 4" diameter, signed, numbered 37/200. Certificate I...

Bronze Retriever Dog Sculpture w/ Artist-Signed and Numbered Certificate Attached to the Base's Underside. We love a bronze dog sculpture, and this o...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Amazing bronze kinetic sculpture by Gianfranco Meggiato 2007, signed numbered 6/9 also included certificate of authenticity and full catalog. In his work, Gianfranco Meggiato gets i...

Unique Genesis el Pensamiento bronze sculpture by Jean-Baptiste Van den Heede Unique piece signed and numbered Dimensions: L 34 x D 8 cm Materials: bronze Other sizes and materi...

Marina Núñez del Prado (1910-1995) was a celebrated Bolivian sculptor and one of the most respected sculptors from Latin America. Her work is hi...