Cameroonian Abstract Sculptures

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

Large and exceptional vintage tribal carved green jade/nephrite axe from Sentani, Papau New Guinea. The Axe is mounted in a custom made bronze base and is...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

A single Yua Wenga currency from the early 20th century on custom iron stand. This antique tribal currency piece from Papua New Guinea has been carved ...

The blacksmiths and sculptors of the Mossi People were held in special regard by the tribe's ruling class. Their ability to shape bronze and other precious metals into currency and status symbols made them valuable members of the powerful tribe. The intricate design of this currency bracelet...

A Swiss Black Forest hand carved wooden buck head wall sculpture from the turn of the century, with shield plate. Born in the early years of the 20th century...

Time honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

Large heavy weight and strong patina on these bronze letters (Characters). Can be used indoors or out. Great as wall decoration or signage. Dimensions b...

A wonderful hand-carved panel from a balinese temple with a jungle landscape and elephants. The mixture of shades and age-related patina add to this piece's charm. It is mounted on a...

An African iron currency blade or sword from Nkutshu, the Democratic Republic of Congo (Zaire), of the Topoke, Songo and Meno peoples, which is nicely presented upon a custom metal stand. Such blades were used by various tribal groups in the Democratic Republic of Congo as a form of currency. They were used to close a variety of important transactions such as land deals or the proposal of marriage. This African sword...

Title: A ceremonial spear with clan design paint Artist: John Martin Tipungwuti DOB: 18/01/1969 Medium: Ocher paint on wood carvin DOC: 2006 Provenance: COA from Jilamara Arts a...