Early 17th Century Abstract Sculptures

With arabesques and satyr mask.

Beautiful weathered oak winged angel head Renaissance ornament. France, 16/ 17th century. Weathered Measurements include the wooden pedestal.

Originally part of a larger architectural from a French building in the 1600s, this hand-carved limestone fragment of a winged angel has been mounted more recently to a painted black...

Lion of Forge, Spain, 16th century In forging, measurements: 10 x 17 x 5 cm Good condition Spanish private collection.

IMPERIAL EAGLE Italian, 17th Century sculpture in carved and gilded wood, based on a base decorated with plant motifs and masks with two claw and ball-...

The monk is depicted with an oval face, marked with high and strong cheekbones, sunken cheeks, strong jawbones and a cleft chin. His almond shaped eyes are opened under very strong a...

Bacchus 
Southern Italy, late 17th century
 Alabaster Sculpture
 H: 20 cm A finely carved 17th-century alabaster sculpture of a naked Bacchus. This Italian alabaster figure depicts ...

Pair of sphinxes in white marble with weathering traces, preserved with remnants of their original floor slabs. The cut edges suggest they once served as flanking supports at ground ...

An amazing and rare Chinese silver Nine Phoenix Coronet or Crown, Ming Dynasty (1368 to 1644), late 16th to early 17th century, China. A delicate and...

The carvings of this marble stemma cartouche dates to the 1500’s. Hand-carved in Tuscany, Italy, the marble was mounted onto a geometrically shaped iron stand within the last century...

17th century Italian vase mounted and encrusted with chalcedony rosettes on a petrified wood base. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. This was one of the worst floods recorded since the Renaissance and drew thousands of volunteers from all over the world to help save the city known for its precious history, artwork, artifacts, and rare books. The volunteers were called "the mud angels" because of the mud and silt left everything from the damage of the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftmanship, and history of sculptural fragment. The chalcedony rosettes perfectly emulate the color and texture of the piece. The story and history of this piece and Interi's collection of Florence fragments...

A stunning 17th century "Mannequin De Presentation" from Northern Italy. Wonderfully constructed from polychromed wood with a very handsome face, articulating body and sulfur eyes. T...