Roxy Paine Scumak, Red Orange Polyethylene, Mint, Original

Bronze art deco ram sculpture by Paul A. Lobel from the RKO Roxy Theater, Rockefeller Center, New York. Hand wrought. Provenance: RKO, Roxy Center Theatre; Mr. Eugene Lee Schoen; M...

1950’s Original French Red Zinc Letter – I. We have a number of these well aged letters. The letters have been handmade in sheet steel and zinc dipped. The letters are hollow on the...

Morten Løbner Espersen Ceramic vase model “#1718” Manufactured by Morten Løbner Espersen Copenhagen, 2016 Stoneware and glaze Colourful Ceramic...

Charming beckoning cat with left paw raised is a gilded and hand painted porcelain piece from the Kutani region of Japan. Beckoning cats come in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. While the origins of the Japanese beckoning cat (known as maneki neko in Japanese) are unclear, contemporary woodblock...

Alvino Bagni bull, ceramic, orange, red, yellow and brown, signed. Medium scale chunky bull sculpture glazed in bold orange red with splashes of dark...

1950’s Original French Red Zinc Letter – E. We have a number of these well aged zinc letters. The letters have been handmade in sheet steel and zinc dipped. The letters are hollow o...

Laurent Petit French abstract ceramic sculpture, circa 2010. Signed at the base Original and elegant abstract ceramic form. Large variations of colors. Red, ornage, white...

Charming beckoning cat with left paw raised is a gilded and hand painted porcelain piece from the Kutani region of Japan. The beckoning cat comes in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. While the origins of the Japanese beckoning cat (known as maneki neko (in Japanese) are unclear, contemporary woodblock...

Beautiful and very cute Murano hand blown Sommerso red, orange to clear Italian art glass bunny rabbit sculpture / figurine. Documented to the Cenedese...

'Takamaka Opal', is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in aqua, deep red and vibrant orange glass. Fuchs creates her own multi-colored and complex glass canes, which are then cut to create small 'murrina'. These she composes to create her flat sheet 'canvas' glass artworks, which are fired again, to fuse the pieces together. The detail is breathtaking and testament to these labour intensive unique works. The dimensions above are for the glass panel and European Walnut wood base. Sandra A. Fuchs lives and works in Mautern, a small town located on the Danube within the Wachau, a UNESCO World Heritage Site, in Austria and in Murano, Italy. Specializing in the areas of cold working, fusing and flameworking, Fuchs has undertaken additional advanced training for glassblowing at the Technical College of Glass for Design and Craft (Kramsach, Tyrol, Austria) Abate Zanetti (Scuola del Vetro, Murano, Italy) and at Cam Ocagi (The Glass Furnace Istanbul, Turkey). Her artistic approach and style has also been developed through attending numerous master classes with artists predominantly from Italy and the USA. Since 2014 and after much time abroad, Fuchs is now focused on working exclusively as an independent glass artist in her own studio. Fuchs’ artworks share a common ‘spirit’ and ‘organic’ aesthetic. The themes which run through her pieces are inspired by the beauty and power of nature; of rising, elevating and growth, which she also interprets from a spiritual influence. She feels creativity and vision are born by traveling, connecting with people from around the world and through cultural exchange. Her signature fused panels have an inner life which is captured in dense and complex patterns which are formed from many unique pieces of ‘murrine’, which Fuchs designs and makes by herself. Traditionally ‘murrine’ all possess the same pattern, however by employing a different kiln formed technique, Fuchs makes each ‘murrina’ unique by having more control during the stretching process whilst working with her hot molten glass. With her blown art works, Fuchs combines this new special manufacturing technique of 'kiln formed murrine’ (which has only been in existence since 1992) with centuries old traditional Muranese glassblowing knowledge, resulting in pieces that are the only ones of their kind worldwide. In the artist’s own words; "Offering me every possible way to express myself, glass became my ‘partner in crime...