Undulating White Organic Porcelain Sculpture, Sandra Davolio

Sculptural Vase I, 2023, (Porcelain, C. 13 in. h x 10.2 in. dia., Object No.: 4183) Davolio’s sophisticated porcelain works imply organic and natural references from the Art Nouveau style, the keen interest in the mechanics of futurism, and the minimalist and linear approach typical to Scandinavian Design. In the past eight years, Davolio has positioned herself as an internationally renowned ceramist. J. Lohmann Gallery...

Vessel with Blue Edges III, 2023, (Porcelain, C. 11.8 in. h x 8.6 in. diam., Object No.: 4189) Davolio’s sophisticated porcelain works and their organic and natural references are i...

Coral Flower, 2025, (Porcelain, C. 7 in. h x 8 in. diam., Object No.: 4311) Davolio’s sophisticated porcelain works and their organic and natural references are influenced by the Ar...

Trio, 2021 (Ceramic, C. 16.5 in. h x 6 in. w, Object No.: 3936) Tina Vlassopulos was born in London in 1954. After graduating from Bristol Polytechnic in 1977, she returned to Londo...

'I use a medical dental drill bit to carve the surface of white porcelain, from a form thrown on a wheel, to create delicate patterns. This work requires an enormous amount of patien...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Nest' is a unique porcelain sculpture by the British artist, Olivia Walker. Walker works in porcelain to create pieces that explore ideas of growth and decay through the constructi...

Untitled 4 is a unique sculpture by contemporary artist Sharon Brill. This is a wheel thrown altered and sandblasted porcelain sculpture, dimensions are 48 × 37 × 40 cm (18.9 × 14.6 ...