Zoë Powell, Pair of Wood-Fired Porcelain Vessels, Vestige Series

A very large and appealing Saggar fired vessel, made by Australian potter, Jill Symes. Signed, with original stickers and leaflet. This beautiful pot has ...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

A porcelain flower vase with an organic form and texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior surface. As a result of the producti...

'Tall Budding Vessel in Grey' is a unique porcelain sculpture by the British artist, Olivia Walker. Walker works in porcelain to create pieces that explore ideas of growth and decay...

Beautifully modelled, molded and glazed, this pair of sculptures was originally designed to serve as tabletop torchere lamps, with light washing the wall above, and lighting the eyes of each head. Very finely crafted, the sculptures were made by Doane Powell, an important Nebraska cartoonist and illustrator who later became famous for the masks he made of celebrities such as Mae West, Governor Huey Long...

Delinger, 2016 (Porcelain, C. 2.5 in. h x 10.6 in. w x 10.6 in. d, Object No.: 3528) Sidsel Hanum was born in Norway in 1955. After her Ceramic Diploma from the National College of ...

A pair of circa 1960s Italian glazed porcelain antelopes. Measurements: Larger one Height: 14.5". Length: 18.5". Width: 8.5". Smaller one Height: 13". Length: 16". Width...