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Antique Art Deco Alabaster Sculpture of a Pair of Lioness 20th Century
$3,345.85per set
£2,450per set
€2,851.95per set
CA$4,609.52per set
A$5,023.56per set
CHF 2,660.19per set
MX$60,338.27per set
NOK 33,678.63per set
SEK 30,964.19per set
DKK 21,300.91per set
About the Item
A lovely Italian antique Art Deco carved alabaster sculpture of a pair of lionesses, circa 1870 in date.
Superbly sculptured in grey veined white alabaster depicting a pair lionesses fighting on a rocky outcrop.
The attention to detail throughout this piece is second to none.
Condition:
In really excellent condition, with no chips or marks, please see photos for confirmation.
Dimensions in cm:
Height 29 cm x Width 52 cm x Depth 19 cm
Weight 20.5 kg
Dimensions in inches:
Height 11 inches x Width 1 foot, 8 inches x Depth 7 inches
Weight 45.2 lbs
Alabaster - is a name applied to varieties of two distinct minerals, when used as a material: gypsum and calcite also known as onyx-marble, Egyptian alabaster or Oriental alabaster.
In general, but not always, ancient Alabaster in Egypt and the Near
Middle East is calcite. Alabaster in medieval Europe is gypsum. Modern Alabaster is probably calcite, but may be either. Both are easy to 'work' and as both are slightly water soluble, have been used for making a variety of indoor artworks and carvings, as they will not survive long outdoors.
The finer kinds of alabaster are employed largely as an ornamental stone, especially for ecclesiastical decoration and for the rails of staircases and halls. Alabaster is also used widely by the sculptors.
In Europe, the centre of the alabaster trade is Florence, Italy.
Our reference: A3894
About the Seller
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Associations
LAPADA - The Association of Arts
Antiques Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
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History of Black Forest Carving
The idea behind the success of Brienz wood carving was quite simple. After a disastrous famine in 1816 in the Brienz area people were forced to find new areas of revenues. Driven by the need to create jobs in the Bernese Oberland, an economically underdeveloped region, the Swiss government encouraged the existing resource of timber industry to liaise with the traditional wooden craftsmanship. It took some time to improve from home requirements to sophisticated designed arts but the process was supported by the rising amount of tourists visiting the region.
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Christian Fischer (1790-1848) started self-taught from simple turneries (carved bowls and other articles of daily use) to unsophisticated regional animals and people. Due to his success and the interest of the tourists, other carvers started also following his idea of carving the pristine naturalism. The Swiss government supported these start-ups with additional training of apprentices at special trade school.
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In 1884 the "School of Wood Carving, Brienz" was founded. It became an important educational institution to strengthen and develop the artistic backgrounds and exhibit an area of creativity. During the years of war in the 20th century, the demand for wooden sculptures came to rest and led to the re-orientation in areas such as toys and carvings for constructions. Beyond that the Brienz wood carving articles had to face an enormous competition from abroad. The School of Wood Carving had to get through difficult economic times but in the late 1970s wood carving enjoyed a renaissance. A lot of young people searched for elemental jobs and added a new value to school education. Today Brienz School of Wood Carving is combined with the education of turner, basket makers and coopers. The school still claims high-quality standards and follows old principles with regard to future perspectives.
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