Antonio Pavia 1970s Italian Silver Plated Cream Bird Sculpture with White Crest

Beautiful sculpture in ivory lacquered wood and gilded bronze, Italy, 1970s.

Centerpiece in the shape of a horse in hand carved alabaster. Made in Italy, 1970s.

Set of brass flamingo / crane sculptures by Antonio Pavia. Standing flamingo is 59" high, 15" deep and 25" wide. Seated flamingo is 32" high, 32" wide and 14" deep.

Murano vintage, and gorgeous, hand blown white, deep golden amber and gold flecks Italian art glass playful birds on branch sculptures. They are a matched pair. The birds are documen...

Beautiful and large, vintage Murano hand blown rich orange over white, and gold flecks Italian art glass bird sculpture. The figure is documented to the Salviati company. The bird st...

Italian 1970s Metal Hippopotamus Flower Vase.

There is all the Italian artisan mastery in this exceptional Mid-Century Modern open worked large Majolica ornament centerpiece in the form of a long shell enriched with crab, seahorse and red coral perfectly shaped inside it. Looking at this sculpture you will feel the sound of the ocean. Every part of this colorful and powerful handmade marine themed composition is incredibly realistic and well made. The open shell depicted in a palette made of browns, pink, yellow and green contains a big red coral...

A magnificent pair of large Italian wood and brass Egrets or cranes on a travertine marble base.

Carrying import marks for London in 1966, this charming pair of Sterling Silver Snipe Models, are realistically cast. Each snipe model measures 3.5"(9cm) tall, by 4.25"(11cm) fro...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...