Art Nouveau Rooster and Hen Bronze Sculpture by Enrico Marcello Zosi, Italy

Italian bronze sculpture by Marcello Pietrantoni, 1980 ca. The sculpture is signed on the base. Marcello Pietrantoni was born in Bresci...

19th century Art Nouveau silvered bronze sculpture of female hen by A. Grevin & F. Beer. Women Dressed as a Hen, she has a basket of eggs. On circular base incised " A. Grevin et Be...

Pair of antique Italian rooster sculptures, hand-made in Italy in the early 20th century, in the Art Nouveau period, inspired to the Animalier style, ...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

Boleslaw Biegas was one of a large number of Polish artists working in fin-de-siecle Paris. There he found a more kindred artistic environment in which...

Bronze sculpture of a fighting rooster with 2 wooden and bronze bases from the 1970s

An amusing early 20th Century bronze group of a bear peering over the edge of a rock at a rabbit quietly hiding under a ledge, with excellent rich brown patina and fine hand chased surface detail. Signed Paillet ADditional information Measures: Height: 18 cm. Condition: Excellent Original Condition. circa: 1910. Materials: Patinated Bronze. ABOUT Charles Paillet Charles Paillet (French, 1871 ~ 1937) Paillet studied sculpture under Georges Gardet. Paillet’s first exhibit was in the Salon of 1897 and he exhibited regularly until 1921. Most of his works were cast by the foundry Thiebault Freres both in lost wax and by the sand-cast method. A few of his works have been recorded bearing the F. Barbedienne foundry mark also. Charles Paillet, Georges Gardet, Rene Paris...

Dimensions- H: 75in W: 37in D: 20in This Italian signed Eduardo Rossi (1867-1926) Art Nouveau life size bronze sculpture of a woman is an exceptional sc...

A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...

CESARE CONSTANTINO CERIBELLI Italian, 1841-1918 "Bust of a Young Woman" Polychromed and chemically patinated bronze signed to the reverse shoulder "C. Ceribelli" raised on origin...