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Bronze "Labrador Retreiver" by William H. Turner, Edition of 25

$2,975List Price

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William H Turner bronze ."Outfoxed ".signed
By William Turner
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William H Turner large bronze rabbit
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William H Turner Bronze "Grey Fox" Sculpture 1989
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William H Turner early cast bronze "Grey Fox". The sly fox is crouching on his underside in a very whimsical pose… The casting is superb. Signed and d...
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William H Turner Bronze Fox and Rabbit 1990
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William H Turner bronze signed and dated 1990 82/100. another whimsical tale of the fox and the rabbit. The cunning fox is out smart once again by the...
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Bronze Maquette for large scale bronze sculpture ‘One,Too.’ by William Harling MRBS Dip.AD (B 1946) From an edition of 9 England early 2000s Provenance: Albermarle Gallery, Londo...
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Limited Edition Cast Bronze Sculpture by William Stuart for Costantini, WCS2202
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WCS2202 by William Stuart, founder of Costantini Design, is a limited edition of 8 cast bronze sculptures. Originally molded in wax and peanuts, this is the first of several small "sketches" by the artist. About William Stuart William C Stuart...
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Vtg Bronze Sculpture of 2 Labrador Retrievers After Pierre Jules Mene Statue 18"
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Late 20th Century bronze sculpture featuring two retrievers hunting dogs, one resting and the other kneeling. The bronze is done in French manner After Pierre Jules Mene Statue...
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Bronze Orchid Sculpture by William Jauquet
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Bronze of Captian William "Bucky O Neil" by Jack Osmer
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This wonderful sculpture speaks of multiple generations of Southwestern history and art. The piece that you are looking at is a bronze casting by renowned Arizona artist, Jack Osmer. The bronze was designed from another well-known sculpture. The original sculpture was made by Solon H. Borglum in 1907 and stands over twenty feet high in Prescott Arizona's courthouse square. The statue is officially known as the Captain William Owen O'Neill Memorial and unofficially called "The Rough Rider...
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Willam H Turner (1943) ‘Snowy Egrets’ Large bronze Sculpture
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A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...
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