Claude Lalanne Necklace Papillon, 1989

This is the superb and rare catalogue which was produced by Sotheby's for the sale of the collection of husband and wife Claude & Francois-Xavier Lalanne. 568 pages with 274 lots for...

Surrealistic Pomme Bouche brooch by Claude Lalanne, created in 1975. Bronze with a dark brown patina and a verdigris leaf and stem, signed with editions mark and monogrammed Arthus-B...

Claude Lalanne (1925-2019) A rare gilt-bronze dragonfly frame, France C. 1985, Signed on reverse Cl. Lalanne Artcurial 25/450. Measures: 4" high x 3...

This bronze is the maquette for a sculpture of Lord Louis Mountbatten wearing a naval duffel coat, peaked cap and sea boots and holding a pair of binoculars. It is set on a highly polished black stone base and inscribed on the back ‘Mountbatten Study, G. Berlin no. 3 of 3’. English, 1989. We are indebted to Ms Berlin for her kind help in supplying the following information. “I made this piece as a working model, maquette, to show, along with another image, to the clients who were offering the commission for the nine-foot bronze of Lord Mountbatten...

Beautiful vintage necklace made of bronze and beads ( unknown texture of beads).

A gilt bronze necklace with chain and a square plaque on the subject of "Adam and Eve in the Garden of Eden" with apple tree in the center, designed and made by Line Vautrin in her e...

A cast bronze pendant titled Saint Laurent by French art jewelry designer Line Vautrin (1913-1997). Gilt bronze, circa late 1940s. It depicts the ...

Incredibly chic necklace from the Autumn-Winter 1996 Chanel collection. This beautiful goldtone chain with six faux baroque pearls in white and grey is simply irresistible. This nec...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

The organic necklaces are treated as works of art or sculpture displayed on their black metal stands. The top parts are intricately braided twine attached to which are sliced sea she...